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Taxi Driver (1976)

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A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.

Director:

Martin Scorsese

Writer:

Paul Schrader
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Popularity
413 ( 40)
Top Rated Movies #89 | Nominated for 4 Oscars. Another 21 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Diahnne Abbott ... Concession Girl (as Diahnne Abbot)
Frank Adu Frank Adu ... Angry Black Policeman
Victor Argo ... Melio (as Vic Argo)
Gino Ardito Gino Ardito ... Policeman At Rally
Garth Avery Garth Avery ... Iris' Friend
Peter Boyle ... Wizard
Albert Brooks ... Tom
Harry Cohn Harry Cohn ... Cabbie In Bellmore
Copper Cunningham Copper Cunningham ... Hooker In Cab
Robert De Niro ... Travis Bickle (as Robert DeNiro)
Brenda Dickson Brenda Dickson ... Soap Opera Woman
Harry Fischler Harry Fischler ... Dispatcher
Jodie Foster ... Iris
Nat Grant ... Stick-Up Man
Leonard Harris ... Charles Palantine
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Storyline

Travis Bickle is an ex-Marine and Vietnam War veteran living in New York City. As he suffers from insomnia, he spends his time working as a taxi driver at night, watching porn movies at seedy cinemas during the day, or thinking about how the world, New York in particular, has deteriorated into a cesspool. He's a loner who has strong opinions about what is right and wrong with mankind. For him, the one bright spot in New York humanity is Betsy, a worker on the presidential nomination campaign of Senator Charles Palantine. He becomes obsessed with her. After an incident with her, he believes he has to do whatever he needs to make the world a better place in his opinion. One of his priorities is to be the savior for Iris, a twelve-year-old runaway and prostitute who he believes wants out of the profession and under the thumb of her pimp and lover Matthew. Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

He's a lonely forgotten man desperate to prove that he's alive. See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

8 February 1976 (USA) See more »

Also Known As:

Taksikuski See more »

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Box Office

Budget:

$1,300,000 (estimated)

Gross USA:

$28,262,574, 31 December 1996
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Dolby SR (re-release)| Stereo

Color:

Color (Metrocolor) (uncredited)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Debra Winger, when she was just starting out as an actress, auditioned for the role of Iris. See more »

Goofs

When Travis puts the 380 Walther on the suitcase with the other guns, they are are side by side at the same angle. In the next shot, the Walther is at a different angle. See more »

Quotes

[first lines]
[a telephone rings loudly]
Personnel Officer: [to the dispatcher] Harry, answer that.
[to Travis]
Personnel Officer: So whaddya want to hack for, Bickle?
Travis Bickle: I can't sleep nights.
Personnel Officer: There's porno theaters for that.
Travis Bickle: Yeah, I know. I tried that.
Personnel Officer: So what do you do now?
Travis Bickle: Well, I ride around nights mostly... subways, buses... I figure, you know, if I'm gonna do that I might as well get paid for it.
See more »

Connections

Referenced in Les profs 2 (2015) See more »

Soundtracks

Ling Ting Tong
(uncredited)
Written by Mabel Godwin
Performed by Otis Williams and the Charms
See more »

Frequently Asked Questions

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User Reviews

 
A Shattering Tale In First Person Singular
11 October 2007 | by Will ThomasSee all my reviews

The impact that "Taxi Driver" had in its day hasn't diminished, on the contrary, it has acquired a relevance of Shakesperean proportions. Travis's loneliness is a hyper representation of the same loneliness most humans have experienced at different times in different measures. It is always associated with a nightmare and Martin Scorsese delivers it like a nightmare. Travis, possessed by Robert De Niro at the zenith of his powers, cruises in his taxi enveloped in Bernard Herrman and we, well, we're the passengers and everything looks terrifying and familiar at the same time. Paul Schrader sensational screenplay comes to life with the jolting force of a rude awakening. Like it happens, more often than not, with masterpieces, it signed in a rather direct way the lives of the ones who live it in a movie theater and the ones who made it. Scorsese being the giant that he is, survived it and will continue startling us I'm sure but I also bet that for years everything he did was compared to this movie. De Niro and his "You looking at me" became such an iconic phrase that even he himself ended up impersonating it. Jodie Foster awoke the insane devotion of a real life would be killer and New York, the greatest city in the world was shown with its underbelly up. A work of art, a superlative reminder of what film could actually give us and very rarely does.


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