A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
Travis Bickle is an ex-Marine and Vietnam War veteran living in New York City. As he suffers from insomnia, he spends his time working as a taxi driver at night, watching porn movies at seedy cinemas during the day, or thinking about how the world, New York in particular, has deteriorated into a cesspool. He's a loner who has strong opinions about what is right and wrong with mankind. For him, the one bright spot in New York humanity is Betsy, a worker on the presidential nomination campaign of Senator Charles Palantine. He becomes obsessed with her. After an incident with her, he believes he has to do whatever he needs to make the world a better place in his opinion. One of his priorities is to be the savior for Iris, a twelve-year-old runaway and prostitute who he believes wants out of the profession and under the thumb of her pimp and lover Matthew.Written by
As Robert De Niro and Cybill Shepherd walk past him, the street drummer says "now back to Gene Krupa syncopated style". This line was sampled by British band Apollo Four Forty for their song "Krupa". The track appeared on their 1997 album "Electro Glide in Blue". See more »
Easy Andy claims that the .44 Magnum revolver will "stop a car at a hundred yards, put a round right through the engine block." It actually won't penetrate an engine block at that range, and the shooter will have little hope of damaging or disabling a component of the engine that will disable the vehicle (such as shorting out the battery or causing the coolant to drain out). However, it's obviously part of his sales pitch. See more »
The original television version of the film featured the following disclaimer before the closing credits: "To our Television Audience: In the aftermath of violence, the distinction between hero and villain is sometimes a matter of interpretation or misinterpretation of facts. 'Taxi Driver' suggests that tragic errors can be made.- The Filmmakers." See more »
When shown on American terrestrial TV, it was heavily cut by 15 minutes or more. Many dialogue scenes had obvious jumps because of missing pieces, the shooting sequence was made short and confusing, and the following pans down the hallway were removed. This version also had a disclaimer card added before the end credits. There's also a parental advisory before the movie begins. See more »
Scorsese's best. Not too many hyper-critical reviews of this film have anything near as intelligent to say about what the director and the screenwriter had in mind when they created this American gem.
To those people that have seen it and thought it was "slow" or the pacing was sub par, they don't know what they're talking about; "Taxi Driver" is about the gradual and eventual take-over of insanity, and not about violence, action-shoot-'em-up 'slash' car chase... or whatever they expected from it. The modern audience today is expecting everything--comedy, drama, unbearable suspense, spfx--all rolled-up into one-stop entertainment... and no, I'm not anybody's grandfather, or here to tell you that movies were great in my day, but, viewers, lighten up already.
De Niro, and the rest of the cast, do a serviceable job in this micro-cosmic window into the life of Travis Bickle--a Vietnam vet--who, true, writes mind-numbing entries in his diary, leads a, for the most part, dull existance as a cabbie, and strikes out with a female political campaigner who, after Travis becomes a hero, discovers she is indeed attracted to unstable, sometimes violent chauffeurs.
The rest of this movie's story is for the less initiated viewer; decide whether you've truly become desensitized to sexual and violent content in today's films... Ah, forget it! You have to have lived at least some of which goes on in "Taxi Driver," or you've just been plain lucky in this life so far.
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