In the 1960s, three sisters form a girl group and soon become local sensations with major label interest, but fame becomes a challenge as the close-knit family begins to fall apart.
Director:
Salim Akil
Stars:
Jordin Sparks,
Carmen Ejogo,
Whitney Houston
This biography of Dorothy Dandridge follows her career through early days on the club circuit with her sister to her turn in movies, including becoming the first black actress to win a Best... See full summary »
Director:
Martha Coolidge
Stars:
Halle Berry,
Brent Spiner,
Klaus Maria Brandauer
Born poor in St. Louis, Missouri, Josephine Baker achieved fame and fortune through her sizzlingly exotic, erotic performances. Starting life on the American Vaudeville circuit, success ... See full summary »
The story of Little Richard Penniman, from his poor Southern upbringing to dealing with the trials and tribulations of being a black singer in the 1950s, to his born-again phase and brief "retirement" from rock and roll.
Sam is a charming, young chancer who moves to London. His best laid plans for success suffer a real setback when true love turns his world upside down in the most unexpected of circumstances.
Directors:
Tom Hunsinger,
Neil Hunter
Stars:
Lesley Manville,
John Shrapnel,
Bob Hoskins
The Jacksons are your average working-class family in Gary, Indiana; but when their father discovers the kids have an extraordinary musical talent they form a band. Winning talent show ... See full summary »
Three sisters (Sister and the Sisters) from Harlem become singers. Sister (Lonette McKee) becomes involved with drugs, while Sparkle (Irene Cara) ends up being the one who gets famous. This film tells of how drugs ruin Sister's relationships and eventually end her life. It is also about the relationship between Sparkle and Stix (Philip Michael Thomas).Written by
Anonymous
Joel Shumacher's screenwriting debut. He would later go on to write the screenplay for The Wiz (1978) which starred Diana Ross whose background as one of The Supremes served as inspiration for this film. See more »
Goofs
The film begins in 1958. But when Stix gets to work at the record store, there is a copy of The Coasters' "One By One" album, an album that was released in 1960. See more »
Quotes
Effie:
[Effie comes in and hears a hallway door close]
Delores? Is that you?
Delores:
Yeah, Mama.
[coming in the front room with a suitcase]
Effie:
Where you going?
Delores:
I'm leaving, Mama.
Effie:
You're leaving for where?
Delores:
I'm leaving and I'm going away.
Effie:
What do you mean?
Delores:
I mean... I can't live like this anymore, Mama. I gotta find another way.
Effie:
Well, whatever troubles you got here
[...] See more »
Alternate Versions
UK releases are cut by 26 secs to remove footage of cockfighting. See more »
Set in Brooklyn during the 1950s, the story revolves around Sparkle (Irene Cara), a talented teenager who joins a band with her two sisters but things start to unravel when the older sister gets involved with drugs. Based on the story of The Supremes, SPARKLE is a pretty entertaining gem that manages to get you caught up in the story even though there's no question it's all rather predictable and at times too cute for its own good. I think the most attractive thing the film has going for it are the songs composed by Curtis Mayfield. The songs really capture the mood and spirit of R&B during this period and while none of the songs can compare to the real hits of the day, I think each of them are good enough to at least help draw you into the story. Another major plus is the performance of Cara who easily steals the film. From the very first time you see Cara she just grabs you up and takes you along on this journey. Another good performance comes from Philip Michael Thomas as the man in her life trying to make her see how special of a talent she has. Lonette McKee is also good as the older sister who gets mixed up in the drugs. Director Sam O'Steen does a very good job with the details of the era and I thought he managed to make the scenery very realistic. You really do feel as if you're in the 1950s and that certainly helps the movie. Joel Schumacher wrote the screenplay and does a pretty nice job with the story even though there's no doubt that it's a tad bit too simple and I'd also argue that it could have avoided the blaxploitation notion that all white people are evil and just out to do bad things (the money lenders in this film). Still, SPARKLE is a good little musical that's worth seeing and especially if you enjoy the music of the period.
2 of 2 people found this review helpful.
Was this review helpful to you?
| Report this
Sparkle (1976)
*** (out of 4)
Set in Brooklyn during the 1950s, the story revolves around Sparkle (Irene Cara), a talented teenager who joins a band with her two sisters but things start to unravel when the older sister gets involved with drugs. Based on the story of The Supremes, SPARKLE is a pretty entertaining gem that manages to get you caught up in the story even though there's no question it's all rather predictable and at times too cute for its own good. I think the most attractive thing the film has going for it are the songs composed by Curtis Mayfield. The songs really capture the mood and spirit of R&B during this period and while none of the songs can compare to the real hits of the day, I think each of them are good enough to at least help draw you into the story. Another major plus is the performance of Cara who easily steals the film. From the very first time you see Cara she just grabs you up and takes you along on this journey. Another good performance comes from Philip Michael Thomas as the man in her life trying to make her see how special of a talent she has. Lonette McKee is also good as the older sister who gets mixed up in the drugs. Director Sam O'Steen does a very good job with the details of the era and I thought he managed to make the scenery very realistic. You really do feel as if you're in the 1950s and that certainly helps the movie. Joel Schumacher wrote the screenplay and does a pretty nice job with the story even though there's no doubt that it's a tad bit too simple and I'd also argue that it could have avoided the blaxploitation notion that all white people are evil and just out to do bad things (the money lenders in this film). Still, SPARKLE is a good little musical that's worth seeing and especially if you enjoy the music of the period.