A mostly complete 35mm print was located and reassembled by the Night Terrors Film Society in Calgary, Canada. Obtained from South Africa, it's thought to be the only remaining 35mm print of the film in existence. See more »
The opening credits are played while the camera in first person view mode (From a criminal's POV) drives through Rome looking at banks and building societies and leaves the city through a long, dark tunnel as the credits end. See more »
The American release by Aquarius Distribution entitled "Assault with a Deadly Weapon" is missing the first 10 minutes, the beginning credits, and the ending credits. The American version also has several of the scenes reshot so that the originally Italian words on buildings and on people's notes appear in English. Also, the beginning credits list a variety of made-up Americanized names and credit Terry Levene (the head of Aquarius Distribution) as the film's producer. See more »
Recently I had the pleasure of watching both the Italian "Roma a Mano Armata" and the US cut "Assault with a Deadly Weapon." Lenzi's reputation as a filmmaker rests mainly on his Crime films from the mid-to-late '70s for good reason and this is an addictive and fast-paced brilliant piece of that work. Maurizio Merli is great as the quietly intense Leonardo Tanzi and deserves much more credit than the "Franco Nero wannabe" usually leveled at him. The US cut is missing the first 8 minutes of Merli's failed bust of an illegal gambling ring (at least that's what I gleaned from the lack of subtitles) and sets up his frustration of being under the law himself while desperately trying to rid the world of those who break it. Even with a different credit sequence that oddly doesn't actually credit anyone but actor Arthur Kennedy (as the director!), the US cut (available on VHS in the '80s as part of Sybil Danning's Adventure Video series with a bizarre introduction by Ms. Danning herself) is still highly highly recommended. Hopefully this will be available on DVD for more people to discover these series of films, which can easily appeal to the same fans of Italian horror and Eurocult cinema.
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