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Roma a mano armata (1976)

R | | Action, Crime, Drama | July 1978 (USA)
A tough, violent cop who doesn't mind bending the law goes after a machine-gun-carrying, hunchbacked psychotic killer.

Director:

Umberto Lenzi (as Bert Lenzi)

Writers:

Umberto Lenzi (story) (as Bert Lenzi), Dardano Sacchetti (screenplay)
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Cast

Cast overview, first billed only:
Maurizio Merli ... Inspector Leonardo Tanzi
Arthur Kennedy ... Chief of Police
Giampiero Albertini Giampiero Albertini ... Commissioner Francesco Caputo
Ivan Rassimov ... Tony Parenzo
Biagio Pelligra Biagio Pelligra ... Savelli
Aldo Barberito Aldo Barberito ... Detective Poliani
Stefano Patrizi ... Stefano
Luciano Pigozzi ... Moretto's Henchman
Luciano Catenacci Luciano Catenacci ... Ferdinando Gerace
Carlo Alighiero Carlo Alighiero ... Savelli's Lawyer
Carlo Gaddi Carlo Gaddi ... Ambulance Driver
Claudio Nicastro ... Fence
Valentino Macchi Valentino Macchi ... Franco
Alessandra Cardini Alessandra Cardini ... Sandra Moretto (as Sandra Cardini)
Gabriella Lepori ... Marta Assante
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Storyline

A tough, violent cop who doesn't mind bending the law goes after a machine-gun-carrying, hunchbacked psychotic killer.

Plot Summary | Add Synopsis

Taglines:

Vigilante enforcers - lurking in the dark... waiting to kill! See more »


Certificate:

R | See all certifications »
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Details

Country:

Italy

Language:

Italian

Release Date:

July 1978 (USA) See more »

Also Known As:

Assault with a Deadly Weapon See more »

Filming Locations:

Rome, Lazio, Italy

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

When Terry Levene distributed this film in the late 1970's, he replaced a few of the establishing shots with those of American locations. For an establishing shot of the Rome youth center where Tanzi meets Stefano, Levine used a shot of the Manhattan night club "Fascination". Strangely enough, in the later Lenzi film Da Corleone a Brooklyn (1979) (which also starred Maurizio Merli as an Italian policeman), Merli drives by the club "Fascination" after he arrives in New York. See more »

Quotes

Fence: No deal, boy. It wouldn't help me in the slightest.
Vincenzo Moretto, 'Il gobbo': Sure it would. I'll bring you luck. Look, make it two and a half and you can touch my hump, huh? Okay? Go on, touch it. It's good luck, really, man!
Fence: Thanks anyhow, but I don't believe in those superstitions.
Vincenzo Moretto, 'Il gobbo': Refusing to touch it brings bad luck.
[shoots him]
Vincenzo Moretto, 'Il gobbo': You should've touched it, shouldn't you?
See more »

Crazy Credits

The opening credits are played while the camera in first person view mode (From a criminal's POV) drives through Rome looking at banks and building societies and leaves the city through a long, dark tunnel as the credits end. See more »

Alternate Versions

The American release by Aquarius Distribution entitled "Assault with a Deadly Weapon" is missing the first 10 minutes, the beginning credits, and the ending credits. The American version also has several of the scenes reshot so that the originally Italian words on buildings and on people's notes appear in English. Also, the beginning credits list a variety of made-up Americanized names and credit Terry Levene (the head of Aquarius Distribution) as the film's producer. See more »

Connections

Followed by Il cinico, l'infame, il violento (1977) See more »

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User Reviews

 
Almost a Cult
29 December 2007 | by buonanotteSee all my reviews

Sometimes I think that what really takes you into this movies is... the tune. At the beginning you see an "Alfetta" driven by a guy wearing a red and black scarf, some creepy skyscrapers in the background while the credits appear on the bottom right of the screen. You feel just surrounded by a massive soundtrack and you smile. I wonder if it used to feel the same in the seventies. I've seen only another Lenzi's movie. "Milano odia. La polizia non puo' sparare" has got a similar plot (Same subject, to be honest) but the director chose to put the criminal as the protagonist. In "Roma a mano armata" the policeman is violent and aggressive, in "Milano odia" the outlaw is a sort of victim of the system. It looks like the fight against criminality gets tougher day after day. The cinematographic relevance of these movies is their success in celebrating the action. But I found in Lenzi's a strong attention in the sociological issues related to his stories. His characters have got a good inner nature, they seem like gotten worse because bred in a hard environment. Finally, it is just amazing how a 31 years old film is still perfectly enjoyable and that is probably due to a neat and careful direction.


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