Cool, sophisticated Tolen (Ray Brooks) has a monopoly on womanizing - with a long like of conquests to prove it - while the naïve, awkward Colin (Michael Crawford) desperately wants a piece... See full summary »
It is twenty years after Robin Hood's heroics against Prince John and the Sheriff of Nottingham. Since then, Robin (Sir Sean Connery) has spent all his time outside of England, fighting as Richard the Lionheart's right-hand man in the Crusades and in France. His only connection to his past life in Sherwood Forest is his faithful companion, Little John (Nicol Williamson). However, Richard the Lionheart is now dead and a war-weary, middle-aged Robin decides to return to England. His first priority: rekindle his relationship with Maid Marian (Audrey Hepburn). However, if he figured on a peaceful life, he didn't bargain on the machinations of the Sheriff of Nottingham (Robert Shaw) and King John (Sir Ian Holm).Written by
I was so happy to notice that the overwhelming majority of reviews for this film was positive. I have always regarded Robin and Marian as an under-rated classic. In it we have two major film actors at their best in legendary roles with a different spin: Robin and Marian, famed medieval lovers, separated for many years, then reunited in middle age. Sean Connery and Audrey Hepburn perfectly embody these roles with a depth of realism. They take these mythical figures and make them live. Marian was the perfect role for the 46 year old Hepburn to portray, and no doubt it was the quality of the script and the fascinating premise of the story which were able to lure her back to the silver screen after a nine-year absence. (Unfortunately none of her subsequent film roles were of this caliber.) The supporting cast is solid, a real ensemble of some of the greatest British actors. Richard Lester's direction is masterful. The screenplay brings great romance and irony to the relationship of Robin and Marian. The cinematography is beautiful without painting the tragic nature of the tale in rosy hue. The music of John Barry, as is always the case, wonderfully accompanies every mood and moment of the story.
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