IMDb RATING
7.3/10
1.9K
YOUR RATING
A fate of popular film actress during the turbulent years of the Russian Civil War.A fate of popular film actress during the turbulent years of the Russian Civil War.A fate of popular film actress during the turbulent years of the Russian Civil War.
- Awards
- 1 win & 2 nominations total
Konstantin Grígoryev
- Nikolay Fedotov
- (as Konstantin Grigorev)
Vera Kuznetsova
- Lyubov Andreyevna
- (as V. Kuznetsova)
Inna Ulyanova
- Aktrisa s buketom alykh poz
- (as I. Ulyanova)
Vitaliy Komissarov
- Assistent operatora
- (as V. Komissarov)
Nikita Mikhalkov
- Ivan
- (as N. Mikhalkov)
Nikolai Pastukhov
- Stsenarist
- (as N. Pastukhov)
Gotlib Roninson
- Ivan Figel
- (as G. Roninson)
Evgeniy Steblov
- Lyosha Kanin
- (as Ye. Steblov)
Mikhail Chigaryov
- Vyalin
- (as M. Chigaryov)
Aleksandr Yakovlev
- Sasha
- (as A. Yakovlev)
Aleksandr Adabashyan
- Rezhisyor nemogo kino
- (as A. Abadashyan)
Tatiana Andrianko
- Katyusha
- (as Tanya Sverchkova)
Yuriy Bogatyryov
- Vladimir Maksakov
- (as Yu. Bogatyryov)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJack Nicholson and Monte Hellman praised "Slave Of Love" highly and actively tried to get more people to see it.
- ConnectionsFeatured in Move Along, There is Nothing to See (1983)
Featured review
This movie performed a miracle - it captured a mood, an atmosphere so raw, full, that you are feeling the stuffy summer air, the slow dusty wind, candy-sweet smell of southern flowers in a hot small Krimean town. The fact that the revolution is coming closer makes it eary and subtly frightening, as if you know that there`s a needle in someone`s bouquet of camelias.
The acting is done in a way that you can`t believe it is not documentary, but film frames are like a picture frames, they airy and weightlessly capture fading scenes of decadent beauty. Then the violence comes and awakens the characters, they are silly,comical and immensely tragic at the same time.But even the shootings and some real documental footage don`t brake the atmosphiere, it only changes, darkens, like before the storm. All of it is symbolically captured in a scene in the garden, when the operator is trying to tell Olga that the old life is stale, unjust, senseless, the rush of wind runs over the park growing in strength along with the monologue. But she does not understand him, she thinks he`s just jealous and laughs in ignorance of the storms to come.
The acting is done in a way that you can`t believe it is not documentary, but film frames are like a picture frames, they airy and weightlessly capture fading scenes of decadent beauty. Then the violence comes and awakens the characters, they are silly,comical and immensely tragic at the same time.But even the shootings and some real documental footage don`t brake the atmosphiere, it only changes, darkens, like before the storm. All of it is symbolically captured in a scene in the garden, when the operator is trying to tell Olga that the old life is stale, unjust, senseless, the rush of wind runs over the park growing in strength along with the monologue. But she does not understand him, she thinks he`s just jealous and laughs in ignorance of the storms to come.
Details
Contribute to this page
Suggest an edit or add missing content
