The Outlaw Josey Wales

Certainly Clint Eastwood's best complete movie, the story of a man drawn into hell by the inhumanity of others (specifically, the Redlegs and the Senator), who is redeemed by the humanity of others (the settlers, Lone Wattie and Ten Bears) to recover some semblance of a life after the Civil War. Eastwood's acting is economical (but a far cry from the man-with-no-name character he made famous), and carries the story very well, and his directing style is practically invisible (which is exactly what it should be -- if the director does his job, you should never even notice his contribution). The viewer is entirely caught up in the story of the man. All in all, a brilliant bit of film from Eastwood (who clearly learned everything he could from his own directors, and then combined that knowledge into superb craftsmanship of his own.)

It is interesting to contrast the Jose Wales and Billy Munny (from Unforgiven) characters. Wales seeks to regain his humanity through others; Munny - having regained his humanity from being a Wales-like character at the beginning of the movie - descends willingly into a hell of his own choosing.