Damien the Antichrist, now thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
Robert and Katherine Thorn seem to have it all. They are happily married and he is the US Ambassador to Great Britain, but they want nothing more than to have children. When Katharine has a stillborn child, Robert is approached by a priest at the hospital who suggests that they take a healthy newborn whose mother has just died in childbirth. Without telling his wife he agrees. After relocating to London, strange events - and the ominous warnings of a priest - lead him to believe that the child he took from that Italian hospital is evil incarnate.Written by
It is the greatest mystery of all because no human being will ever solve it. It is the highest suspense because no man can bear it. It is the greatest fear because it is the ancient fear of the unknown. It is a warning foretold for thousands of years. It is our final warning. It is The Omen. See more »
The film's ad campaign warned citizens to take special note of any odd occurrences happening around them. See more »
When Mrs Thorn falls from the railing and she has landed on the floor below, Damien can be seen peering through the railings with only his head poking through them. This shot is from below. When the shot is changed his hands are now grasping the railings as he peers down. See more »
The child is dead. He breathed for a moment. Then he breathed no more. The child is dead. Dead. The child is dead.
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Closing credits epilogue: "Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is 666."
In the original ending of the film, there were three coffins at the funeral. This was changed at the last minute and the crew returned to the cemetary to film the scene with just two coffins. See more »
This movie plays with the intellect. It is frightening for what is not seen. From the grey overcast that blurs the skies of London and the dead stillness of the great Pereford mansion that houses the ill-fated Thorn family to the deepest recesses of civilization in the hollow underground of an ancient excavation site, the film effectively captures the viewer's interest and draws them into a world that is on the verge of the ultimate disaster - the birth of the anti-Christ.
Born into the world of politics and wealth, little Damien Thorn is the darling of the beautiful and privileged Robert and Katherine Thorn. Mysterious accidents and the overall feeling of death begin to shadow their lives until the horrifying truth of Damien's birth is uncovered millions of miles away in a grave in a decaying pagan cemetery in Italy. Gregory Peck gives a fine performance as ambitious politico Robert Thorn, a man who slowly discovers that his fate is interlinked in ancient biblical prophecy. With escalating horror, he uncovers a grand design that's unfolding under the unsuspecting eyes of the entire world - and he and his perfect family are at the centre of it. His search for the truth is one of the best in films, taking him to the farthest reaches of the globe and climaxing in an exciting and bizarre confrontation between himself and the face of evil.
Lee Remick is ethereal as his beautiful and tragic wife. The rest of the cast - Billie Whitelaw as the creepy Mrs. Baylock, David Warner as the doomed Jennings and Leo McKern as the mysterious archaeologist Bugenhagen - give the movie its singular dark and moody quality. THE OMEN has a few disturbing moments that shock rather than disgust, but the film is loaded with memorable scenes that are ingenious. It's the 'feeling' that the film incites that makes this movie unique. The haunted performances of the actors, the creepy-crawly musical score, the insinuation that doom is slowly creeping into the world with the birth of one lone child, all succeed in making THE OMEN one of the truest horror films.
Sometimes it's the knowing that something is going to happen that is more frightening than actually seeing it happen ...
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