Damien the Antichrist, now thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
Directors:
Don Taylor,
Mike Hodges
Stars:
William Holden,
Lee Grant,
Jonathan Scott-Taylor
A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom.
Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths.
A group of camp counselors are stalked and murdered by an unknown assailant while trying to reopen a summer camp which, years before, was the site of a child's drowning.
Director:
Sean S. Cunningham
Stars:
Betsy Palmer,
Adrienne King,
Jeannine Taylor
Fifteen years after murdering his sister on Halloween night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.
Director:
John Carpenter
Stars:
Donald Pleasence,
Jamie Lee Curtis,
Tony Moran
Robert and Katherine Thorn seem to have it all. They are happily married and he is the US Ambassador to Great Britain, but they want nothing more than to have children. When Katharine has a stillborn child, Robert is approached by a priest at the hospital who suggests that they take a healthy newborn whose mother has just died in childbirth. Without telling his wife he agrees. After relocating to London, strange events - and the ominous warnings of a priest - lead him to believe that the child he took from that Italian hospital is evil incarnate.Written by
garykmcd
Mrs. Baylock was originally written as a warm, effusive Irish nanny. For her audition, Billie Whitelaw significantly changed the dialogue to create the cold, slightly sinister character that subsequently appeared in the film. See more »
Goofs
When the ambassador is being driven to the wedding and Damian is having a tantrum in the car, the car passes the from of the church 3 times. See more »
Quotes
[first lines]
Father Spiletto:
[voiceover]
The child is dead. He breathed for a moment. Then he breathed no more. The child is dead. Dead. The child is dead.
See more »
Crazy Credits
Opening credits prologue: ROME JUNE 6TH-6AM See more »
Alternate Versions
In the 2017 Netflix release, the End title card (after Damien's smile) featuring the Revelation 13:18 quote about the 'Number of the Beast' is completely removed from the film. See more »
Following the heels of the success of The Exorcist, The Omen tells the story of the son of Satan being born from a mysterious pregnancy and given to a U.S. ambassador and his wife in Italy. The couple raise the young child, but things begin to happen to the couple as the boy matures. A governess hangs herself. The child acts wildly when brought near a Church. A spooky governess appears from nowhere to take care of the child. A black evil dog takes up residence at the child's bedroom. To complicate matters, a priest gets in touch with the father and tells him to beware his son and that he is the spawn of evil. The Omen works very well due to several factors. The script is generally well-written. The story is very implausable in some places, but it works on the whole. The use of powerhouse stars like Gregory Peck and Lee Remick in the leads help to give the film the royal treatment, making sure no one mistakes the budget, level of ability, and time put into this production. Peck is very good in his role as a man convinced(finally) of horrifying news. The rest of the cast does equally well with some fine performances by Billie Whitelaw as the crazed, manical governess, Patrick Troughton as the conscience-torn priest, David Warner as a helpful photographer, and Harvey Stephens as the young, sweet-yet evil looking Damien. Most of the film's success can be attributed to director Richard Donner. Donner keeps the pacing of the film tight, uses some first-rate pan shots, and creates a mood and suspense that build climatically throughout the film. Some of the scenes that are most memorable include Damien on a tricycle, Peck and Warner in a cemetery, and most famous of all is the priest's demise. A wonderfully shot sequence. The music in the film is a great asset to the overall mood. A very good film....not nearly as gory or shocking as The Exorcist but still as powerful in its own right for its seemingly somewhat realistic adaptation of scripture.
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Following the heels of the success of The Exorcist, The Omen tells the story of the son of Satan being born from a mysterious pregnancy and given to a U.S. ambassador and his wife in Italy. The couple raise the young child, but things begin to happen to the couple as the boy matures. A governess hangs herself. The child acts wildly when brought near a Church. A spooky governess appears from nowhere to take care of the child. A black evil dog takes up residence at the child's bedroom. To complicate matters, a priest gets in touch with the father and tells him to beware his son and that he is the spawn of evil. The Omen works very well due to several factors. The script is generally well-written. The story is very implausable in some places, but it works on the whole. The use of powerhouse stars like Gregory Peck and Lee Remick in the leads help to give the film the royal treatment, making sure no one mistakes the budget, level of ability, and time put into this production. Peck is very good in his role as a man convinced(finally) of horrifying news. The rest of the cast does equally well with some fine performances by Billie Whitelaw as the crazed, manical governess, Patrick Troughton as the conscience-torn priest, David Warner as a helpful photographer, and Harvey Stephens as the young, sweet-yet evil looking Damien. Most of the film's success can be attributed to director Richard Donner. Donner keeps the pacing of the film tight, uses some first-rate pan shots, and creates a mood and suspense that build climatically throughout the film. Some of the scenes that are most memorable include Damien on a tricycle, Peck and Warner in a cemetery, and most famous of all is the priest's demise. A wonderfully shot sequence. The music in the film is a great asset to the overall mood. A very good film....not nearly as gory or shocking as The Exorcist but still as powerful in its own right for its seemingly somewhat realistic adaptation of scripture.