Damien the Antichrist, now thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
Robert and Katherine Thorn seem to have it all. They are happily married and he is the US Ambassador to Great Britain, but they want nothing more than to have children. When Katharine has a stillborn child, Robert is approached by a priest at the hospital who suggests that they take a healthy newborn whose mother has just died in childbirth. Without telling his wife he agrees. After relocating to London, strange events - and the ominous warnings of a priest - lead him to believe that the child he took from that Italian hospital is evil incarnate.Written by
Damien's Rottweiler never gets a name in this movie. See more »
When the priest is physically escorted out of the building and down the steps by two guards, pedestrians can also be seen close-by. When the photographer takes a picture of the priest walking past him on the steps, and develops it, neither the security guards nor any pedestrians can be seen anywhere in the photo. See more »
The child is dead. He breathed for a moment. Then he breathed no more. The child is dead. Dead. The child is dead.
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Opening credits prologue: ROME JUNE 6TH-6AM See more »
In the original ending of the film, there were three coffins at the funeral. This was changed at the last minute and the crew returned to the cemetary to film the scene with just two coffins. See more »
This movie plays with the intellect. It is frightening for what is not seen. From the grey overcast that blurs the skies of London and the dead stillness of the great Pereford mansion that houses the ill-fated Thorn family to the deepest recesses of civilization in the hollow underground of an ancient excavation site, the film effectively captures the viewer's interest and draws them into a world that is on the verge of the ultimate disaster - the birth of the anti-Christ.
Born into the world of politics and wealth, little Damien Thorn is the darling of the beautiful and privileged Robert and Katherine Thorn. Mysterious accidents and the overall feeling of death begin to shadow their lives until the horrifying truth of Damien's birth is uncovered millions of miles away in a grave in a decaying pagan cemetery in Italy. Gregory Peck gives a fine performance as ambitious politico Robert Thorn, a man who slowly discovers that his fate is interlinked in ancient biblical prophecy. With escalating horror, he uncovers a grand design that's unfolding under the unsuspecting eyes of the entire world - and he and his perfect family are at the centre of it. His search for the truth is one of the best in films, taking him to the farthest reaches of the globe and climaxing in an exciting and bizarre confrontation between himself and the face of evil.
Lee Remick is ethereal as his beautiful and tragic wife. The rest of the cast - Billie Whitelaw as the creepy Mrs. Baylock, David Warner as the doomed Jennings and Leo McKern as the mysterious archaeologist Bugenhagen - give the movie its singular dark and moody quality. THE OMEN has a few disturbing moments that shock rather than disgust, but the film is loaded with memorable scenes that are ingenious. It's the 'feeling' that the film incites that makes this movie unique. The haunted performances of the actors, the creepy-crawly musical score, the insinuation that doom is slowly creeping into the world with the birth of one lone child, all succeed in making THE OMEN one of the truest horror films.
Sometimes it's the knowing that something is going to happen that is more frightening than actually seeing it happen ...
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