Damien the Antichrist, now about to turn thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
A young couple moves in to a fancy apartment surrounded by peculiar neighbors. When the timid and passive wife becomes mysteriously pregnant while the actor husband becomes successful, the safety of her fetus begins to control her life.
Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths and must survive the terrors of Leatherface and his family.
Robert and Katherine Thorn seem to have it all. They are happily married and he is the US Ambassador to Great Britain, but they want nothing more than to have children. When Katharine has a stillborn child, Robert is approached by a priest at the hospital who suggests that they take a healthy newborn whose mother has just died in childbirth. Without telling his wife he agrees. After relocating to London, strange events - and the ominous warnings of a priest - lead him to believe that the child he took from that Italian hospital is evil incarnate.Written by
This was originally going to be called "The Anti-Christ". When studio heads suggested something subtle, they appropriated the Nathaniel Hawthorne title: " The Birthmark". Eventually they made the title "The Omen". See more »
When Lee Remick's character, "Katherine Thorn", falls over the upstairs railing after Damien runs into the table she is standing on, Katherine's hands keep changing positions while holding onto the vertical rail posts. Her hands are next to each other in one scene, and then they are a post apart in another, and back and forth. See more »
The child is dead. He breathed for a moment. Then he breathed no more. The child is dead. Dead. The child is dead.
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Closing credits epilogue: "Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is 666."
This movie plays with the intellect. It is frightening for what is not seen. From the grey overcast that blurs the skies of London and the dead stillness of the great Pereford mansion that houses the ill-fated Thorn family to the deepest recesses of civilization in the hollow underground of an ancient excavation site, the film effectively captures the viewer's interest and draws them into a world that is on the verge of the ultimate disaster - the birth of the anti-Christ.
Born into the world of politics and wealth, little Damien Thorn is the darling of the beautiful and privileged Robert and Katherine Thorn. Mysterious accidents and the overall feeling of death begin to shadow their lives until the horrifying truth of Damien's birth is uncovered millions of miles away in a grave in a decaying pagan cemetery in Italy. Gregory Peck gives a fine performance as ambitious politico Robert Thorn, a man who slowly discovers that his fate is interlinked in ancient biblical prophecy. With escalating horror, he uncovers a grand design that's unfolding under the unsuspecting eyes of the entire world - and he and his perfect family are at the centre of it. His search for the truth is one of the best in films, taking him to the farthest reaches of the globe and climaxing in an exciting and bizarre confrontation between himself and the face of evil.
Lee Remick is ethereal as his beautiful and tragic wife. The rest of the cast - Billie Whitelaw as the creepy Mrs. Baylock, David Warner as the doomed Jennings and Leo McKern as the mysterious archaeologist Bugenhagen - give the movie its singular dark and moody quality. THE OMEN has a few disturbing moments that shock rather than disgust, but the film is loaded with memorable scenes that are ingenious. It's the 'feeling' that the film incites that makes this movie unique. The haunted performances of the actors, the creepy-crawly musical score, the insinuation that doom is slowly creeping into the world with the birth of one lone child, all succeed in making THE OMEN one of the truest horror films.
Sometimes it's the knowing that something is going to happen that is more frightening than actually seeing it happen ...
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