Obsession (1976)

A wealthy New Orleans businessman becomes obsessed with a young woman who resembles his wife.

Director:

Brian De Palma

Writers:

Brian De Palma (story by), Paul Schrader (story by)

Stars:

Cliff Robertson, Geneviève Bujold, John Lithgow

Nominated for 1 Oscar. Another 3 wins & 1 nomination.

Cast

Cast overview, first billed only:
Cliff Robertson	...	Michael Courtland
Geneviève Bujold	...	Elizabeth Courtland / Sandra Portinari
John Lithgow	...	Robert Lasalle
Sylvia Kuumba Williams	...	Maid (as Sylvia 'Kuumba' Williams)
Wanda Blackman	...	Amy Courtland
J. Patrick McNamara	...	Third Kidnapper (as Patrick McNamara)
Stanley J. Reyes	...	Insp. Brie
Nick Krieger	...	Farber
Stocker Fontelieu	...	Dr. Ellman
Don Hood	...	Ferguson
Andrea Esterhazy	...	D'Annunzio
Thomas Carr	...	Paper Boy
Tom Felleghy	...	Italian Businessman
Nella Simoncini Barbieri	...	Mrs. Portinari
John Creamer	...	Justice of the Peace

Storyline

New Orleans businessman Michael Courtland's life is shattered when his wife and daughter are tragically killed in a botched kidnap rescue attempt. Many years later whilst visiting Italy he meets and falls in love with Sandra Portinari, who bears a striking resemblance to his wife.

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Plot Keywords:

doppelganger | year 1975 | florence italy | hitchcockian | year 1959 | 

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Taglines:

A thriller from the director of DRESSED TO KILL and CARRIE!

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Genres:

Drama | Mystery | Thriller

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Certificate:

PG

Details

Official Sites:

Sony Movie Channel [United States]

Country:

USA

Language:

English Italian

Release Date:

September 1976 (UK)

Also Known As:

Deja Vu

Filming Locations:

Collegiate Church, San Gimignano, Siena, Tuscany, Italy

Box Office

Budget:

$1,400,000 (estimated)

Gross USA:

$1,000,000, 8 September 1976

Company Credits

Production Co:

Columbia Pictures, Yellowbird Productions

Technical Specs

Runtime:

98 min

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1

Did You Know?

Trivia

Original title of the film was "Déjà Vu".

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Goofs

With exception of old cars, nothing in flashbacks to 1959 (hair, clothes, etc.) to remotely indicate that scenes weren't set in mid Seventies.

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Quotes

Sandra Portinari: [noticing Michael watching her paint] Buon Giorno!
Michael Courtland: [smiles politely] Buon Giorno.
Sandra Portinari: [motions to her painting and speaks in Italian] Do you like it?
Michael Courtland: [answering slowly in halting Italian] I don't speak Italian.
Sandra Portinari: [speaks in English] That's okay. I speak English. You are an American?

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Crazy Credits

The film has no end credits, other than the words "The End" in the final frame.

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Connections

Referenced in The Making of 'Rolling Thunder' (2013)

User Reviews

Mysterious story, competent performances and sense of style

A rich businessman (Clift Robertson) meets an enigmatic young girl ( Genevieve Bujold) in Florencia . She is the dead ringer image of his late spouse who was murdered by kidnappers during a car accident at a backfired rescue . It leads to a mesmerizing cycle of traps and lies.

A classic in suspense from De Palma , pitching us right into the action from the beginning and baffling most of us to the ending. There is much for De Palma buffs to savour in this thrilling and atmospheric handling of a complex story with deliberately old-fashioned treatment . Robertson is assured as ever as the obsessed millionaire battling against his obsessions and Bujold in a difficult double role as the girls who looks exactly like the wife, she strangely adds depth to her acting. There are tense key images that that are brilliantly staged. This romantic flick is plenty of mystery, intrigue, and suspenseful. Adding special characteristics techniques as ominous camera movements .

Brian De Palma's homage to Hitchcock and the amusement turn out to be inquire what scenes taken from suspense Master. For that reason takes parts especially from ¨Vertigo¨. All this said, the mechanics of suspense are worked quite well and may frighten the easily scared quite badly, but De Palma has made a habit of dwelling on their more sordid side-shoots. The film displays a great and haunting musical score by Bernard Herrmann, Hitchock's favorite composer and imitating his former hits. Furthermore appropriate cinematography by cameraman Vilmos Zsigmond, though is urgent a necessary remastering because of the colors are faded. The picture is brilliantly directed by Brian De Palma. This one along with ¨ Sisters,Dresssed to Kill, Blow out¨ are outwardly another ode to Hitchcock, but the Master might well shift uneasily in his grave at the long-drawn-out tension, the flash scenes and the shock effects with the accent on gas-provoking , but on most occasion is thrilling. Rating : Above average but gets some riveting basic ideas and fascinating images.