Russian ballet dancer decides to defect to Britain. After he leads the authorities a merry dance, he changes his mind.
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Title: Not Now, Comrade (1976)
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Cast
| Complete credited cast: | |||
| Lewis Fiander | ... | Rudi Petrovyan | |
| Richard Marner | ... | 1st Russian Official | |
 |
Michael Sharvell-Martin | ... | 2nd Russian Official (as Michael Sharvell Martin) |
|
|
Carol Hawkins | ... | Barbara Wilcox |
| Leslie Phillips | ... | Commander Rimmington | |
| Ian Lavender | ... | Gerry Buss | |
| Roy Kinnear | ... | Hoskins | |
| Michele Dotrice | ... | Nancy Rimmington | |
|
|
Ray Cooney | ... | Mr. Laver |
| Windsor Davies | ... | Constable Pulford | |
| June Whitfield | ... | Janet Rimmington | |
| Don Estelle | ... | Bobby Hargreaves | |
|
|
Bruce Wyndham | ... | Radio Announcer (voice) |
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Plot Summary
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Storyline
Russian ballet dancer decides to defect to Britain. After he leads the authorities a merry dance, he changes his mind.
Genres:
ComedyParents Guide:
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(uncredited)
Music by William H. Monk and lyrics by Cecil F. Alexander
Sung by Mr Laver (Ray Cooney)
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Did You Know?
Trivia
Opening credits: All events, characters, firms in this film are fictional. and any similarity to any person living or dead or to any firm or actual event is coincidental and unintentional. See more »Soundtracks
All Things Bright and Beautiful(uncredited)
Music by William H. Monk and lyrics by Cecil F. Alexander
Sung by Mr Laver (Ray Cooney)
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Details
Country:
UKLanguage:
EnglishRelease Date:
1976 (UK) See more »Also Known As:
Ahora no, camarada See more »Company Credits
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Technical Specs
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Sound Mix:
MonoColor:
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Not now, Comrade (1976, Leslie Philips, Ian Lavender etc) We've just attempted to enjoy this on Talking Pictures TV, but it was an impossible task. Sadly, this is what the British film industry was reduced to in the mid-70's, although it gave a good number of fading stars and soap personalities something to do. We enjoy a good Ray Cooney farce, but this isn't one of them. It's one of those 'sex comedies' that became popular at the time and no-one comes out of this one well, although Carol Hawkins does have some fine attributes and was good to look at. It's stage roots are very obvious, with people who must not meet coming and going from various doors and asking awkward questions. The scene following the Russian ballet dancer's release from the car boot is excruciating, you just want it to be over as soon as possible. The Triumph Stag was probably the best thing in the entire film and accounts for one of my 3 points. Carol Hawkins gets the other two. Ahem.