Three days into his Miami honeymoon, New York Jewish Lenny meets tall, blonde Kelly. This confirms him in his opinion that he has made a serious mistake and he decides he wants Kelly ... See full summary »
Henry Graham lives the life of a playboy. When his lawyer tells him one day that his lifestyle has consumed all his funds, he needs an idea to avoid climbing down the social ladder. So he intends to marry a rich woman and - murder her.
Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the C.I.A., the Emir of Ishtar, and the rebels trying to overthrow his regime.
Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives, Nick won't let him in: his moods swing. So begins a long night as Mike tries to take care of Nick, calm him down and get him out of town. Their sojourn - on foot and in a city bus - takes them to a bar, a club, toward a movie theater, to the cemetery where Nick's mom is buried, and to Nick's girlfriend's apartment. Tempers fray and the friendship is tested. Meanwhile, a hit man who's getting information from someone is indeed looking for Nick.Written by
Peter Falk was convinced that Ned Beatty was the brother of Warren Beatty. When he found out they were only a few months apart, he broke out into hives with embarrassment and stopped production for the day. See more »
Sitting in a bus after having been to the graveyard Nicky is smoking a cigarette. It keeps disappearing and reappearing and it is randomly getting shorter and longer. See more »
It's very hard to talk to a dead person. I have nothing in common.
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A great film! Though I have yet to see any of Elaine May's other films, I find that this one quickly puts her on an eccentric list of directors. Anyone who's a Casavettes (or Falk) fan must see. A nice tight character driven study. Oddly enough; might be grouped with Wings Of Desire (Wenders) and Requiem For A Dream (Aronofsky); though without the mystical elements. In fact, anyone who appreciates Aronofsky (PI, Requiem, etc.) might find this rather satisfying. Understood there were continuity glitches, but found these to be rather endearing; though I'm unsure whether May intended these to be illustrative of certain a character mindset or not. If this were the case I could also see a certain brief parallel to Momento (Nolan), which also brings in Insomnia. If any of these references ring a pleasant bell, find this film; it's worth it.
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