Tom Levy, who is nicknamed Babe by his older brother Henry Levy, an oil executive who in turn is nicknamed Doc by Tom, is a Ph.D. candidate in History at Columbia University. He is also training to run a marathon. Tom is paying homage to his deceased father, H.B. Levy, in pursuing the same studies as him, his father who committed suicide while being under investigation solely for being a Jew. Tom's work doesn't sit well with Doc who wants Tom to move on with his life. While at Columbia, Tom meets and begins to date Elsa Opel, a foreign exchange student also in History. While out for a walk in Central Park late one day, Tom and Elsa are mugged, the unusual aspect of it being that their attackers were men in suits. Tom will learn that the mugging was not a random attack after someone close to Tom is found murdered, the deceased who was not who he purported to be. From here, Tom is thrown into an international plot concerning a WWII Nazi named Christian Szell in hiding, and a large cache...Written by
During one shooting scene, government agent Janeway (William Devane) is firing his revolver with his left hand. However, throughout the rest of the movie, including other shooting scenes, he uses his right hand. See more »
Listen, I want you to rob my apartment.
There are some guys out there after me, I got a gun in my desk drawer, and I want you to get me some clothes.
What's in there for me, man?
I got a TV set, I got a hi-fi, you can take it all. Do it.
What's the catch?
The catch is it's dangerous. Please do it.
That ain't the catch. It's the fun.
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The ending credits scroll with Babe's jogging route as a backdrop. See more »
Suspense filled, is the only adequate description I can think of. The direction is bleak and taut, the movie's music theme is like a growing menace and the acting of the leads is peerless. The film's most famous scene, the dentist chair interrogation has become part of pop culture, and deservedly so. This, along with many other scenes, including the enemies breaking into the bathroom, are a masterful example of how to create almost unbearable tension on film.
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