An ambitious reporter gets in way-over-his-head trouble while investigating a senator's assassination which leads to a vast conspiracy involving a multinational corporation behind every event in the world's headlines.
Alan J. Pakula
Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Thomas "Babe" Levy, whose brother Henry James "Doc" Levy is an oil business executive, is a Ph.D. candidate in History at Columbia University. He is also training as a marathon runner. Babe is paying homage to his deceased father, H.B. Levy, in pursuing the same studies as him, his father who committed suicide while being under investigation in the Communist witch hunts. Babe's work does not sit well with Doc who wants Babe to move on with his life. While at Columbia, Babe meets and begins to date Elsa Opel, a foreign exchange student also in History. While out for a walk in Central Park late one night, Babe and Elsa are mugged, the unusual aspect of it being that their attackers were men in suits. Babe will learn that the mugging was not a random attack after someone close to Babe is found murdered, the deceased who was not who he purported to be. From here, Babe is thrown into an international conspiracy concerning Nazi war criminal Christian Szell in hiding, and a large cache of ...Written by
During the master shot of the first dental torture scene, you can clearly see the "marks" - a t-shape of tape on the floor - where one of the thugs is to stand in the bottom right hand corner of the screen. See more »
[addressing his class]
Well, you four have the dubious honor of having been picked from over two hundred applicants for this seminar. Well, let me just say this. There's a shortage of natural resources. There's a shortage of breathable air, there's even a shortage of adequate claret. But there is no shortage of historians. We grind you out like link sausages. That's called progress. Manufacturing doctorates is called progress. Well, I say, "Let us hush this cry of progress until ten thousand ...
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The ending credits scroll with Babe's jogging route as a backdrop. See more »
A prime example of the way highly styled entertainment should be
Schlesinger made a great action-suspense film and married it to the artistry of unique talents Hoffman was, by then, a dynamic, young and incredibly versatile film actor with three Academy Award nominations already under his belt for "The Graduate," "Midnight Cowboy," and "Lenny."
But the key to "Marathon Man" was the chemistry between its stars Perhaps one of the most gut-wrenching and most memorable scenes in the film comes when Hoffman is captured and tortured by Olivier who plays the role of a mean and vicious and sadistic Nazi war criminal, Christian Szell Olivier's performance resulted in a 1976 Academy Award nomination as Best Supporting Actor
In 1945, Szell ran the experimental camp at Auschwitz where they called him the White Angel He was a dentist and could provide escape for any Jew who was willing to pay the price He started out with gold, naturally, but very quickly worked his way up to diamonds
As Szell saw the end early, he sneaked his brother into America with the diamonds And they were right here, in New York, in a safe deposit-box until Szell's brother got killed in a head-on collision with an oil truck
Uniquely built, and with a marvelous, rugged face, Roy Scheider, well known for his strong performances in "The French Connection," "Klute," and "Jaws," came on board as Hoffman's mysterious businessman brother, getting the rare chance to play a character that's both hero and villain Doc is a fascinating guy because he chooses to work out his problems in a much different way than Dustin's character does He was very touched and very moved by his father's death, but he abandoned all his hopes for whatever he intended to do and he became a spy, a killer, a very jaded personality
In doing something truly suspenseful, Schlesinger accomplished a film that's largely about fear and it's about pain and the infliction of pain because of fear The thrilling sensation of great expectations came on the 47th Street in the diamond district in New York, where Schlesinger gets the best of it
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