Two city-bred siblings are stranded in the Australian Outback, where they learn to survive with the aid of an Aboriginal boy on his "walkabout": a ritual separation from his tribe.
A married couple grieving the recent death of their young daughter are in Venice when they encounter two elderly sisters, one of whom is psychic and brings a warning from beyond.
Director:
Nicolas Roeg
Stars:
Julie Christie,
Donald Sutherland,
Hilary Mason
A psychiatrist, living in Vienna, enters a torrid relationship with a married woman. When she ends up in the hospital from an overdose, an inspector becomes set on discovering the demise of their affair.
Director:
Nicolas Roeg
Stars:
Art Garfunkel,
Theresa Russell,
Harvey Keitel
An otherworldly, beautiful female android travels in time while scientists try to understand her enigmatic secrets exploiting the occasions of her mysterious, rare appearances. Until she decides the right time to share her vision has come.
A puritan Police Sergeant is sent to a Scottish island village in search of a missing girl who the townsfolk claim never existed; stranger still are the pagan rites that take place there.
Director:
Robin Hardy
Stars:
Edward Woodward,
Christopher Lee,
Diane Cilento
After World War I, a war hero returns to Berlin to find that there's no place for him--he has no skills other than what he learned in the army, and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.
Thomas Jerome Newton is a humanoid alien who comes to Earth to get water for his dying planet. He starts a high technology company to get the billions of dollars he needs to build a return spacecraft, and meets Mary-Lou, a girl who falls in love with him. He does not count on the greed and ruthlessness of business here on Earth, however.Written by
Gene Volovich <volovich@netcom.com>
Candy Clark was not really carrying David Bowie in their first scene together when Bowie's character collapses at her hotel. Instead, a rig involving a skateboard and a bicycle seat was devised that enabled the actress to look like she was carrying Bowie. See more »
Goofs
When Newton is in the shed watching a television set on a pile of fire wood the analog input dial is clearly set to "LINE" and not "TV." This reveals the content being displayed is a recording controlled by the filmmakers and not broadcast television. See more »
Quotes
Jill:
You know, you're not a bit like my father.
See more »
Alternate Versions
In the original U.S. theatrical release, the "Hello Mary Lou" sequence with the gun was missing. It was restored when the movie was broadcast on pay cable. See more »
Liar, Liar
Written & Performed by John Phillips
Song is used during the swimming pool scene as Peters (Bernie Casey) has an informal meeting with his associates under a cabana. See more »
The Man Who Fell To Earth is ultimately a frustrating film. The phrase 'the sum of its parts is greater than the whole' definitely applies. At times it's brilliant and original, but it's effectively brought down by its overlong running time and relentlessly obtuse presentation. It begins very promisingly but falls away in the final third, where it just loses focus and direction. Visually, as can be expected from Nicolas Roeg, it's often quite excellent, with his usual bold editing techniques in place too. The cinematography is very good and David Bowie certainly looks the part. Roeg certainly had a thing for using singers in lead roles. He also utilized Mick Jagger in Performance and Art Garfunkel in Bad Timing, and Bowie like those other two is used to good effect. He doesn't really need to act very much; Bowie in the mid 70's was an almost alien-like creature to begin with. I thought Candy Clark was very good as Mary-Lou. She brought some warmth to the proceedings which was appreciated.
Like Roeg's work in general, there is hardly any humour here. He was primarily a visionary auteur and The Man Who Fell To Earth is undoubtedly a work that allows him to express himself in a highly personal way. But unlike in Performance, Walkabout, Don't Look Now and even Bad Timing the technique never seemed to achieve an overall whole. My feeling is that I would need to re-watch this movie in order to develop a better appreciation of it. On first impressions, it's a collection of great moments within an impenetrable whole. A very strange film though.
4 of 4 people found this review helpful.
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The Man Who Fell To Earth is ultimately a frustrating film. The phrase 'the sum of its parts is greater than the whole' definitely applies. At times it's brilliant and original, but it's effectively brought down by its overlong running time and relentlessly obtuse presentation. It begins very promisingly but falls away in the final third, where it just loses focus and direction. Visually, as can be expected from Nicolas Roeg, it's often quite excellent, with his usual bold editing techniques in place too. The cinematography is very good and David Bowie certainly looks the part. Roeg certainly had a thing for using singers in lead roles. He also utilized Mick Jagger in Performance and Art Garfunkel in Bad Timing, and Bowie like those other two is used to good effect. He doesn't really need to act very much; Bowie in the mid 70's was an almost alien-like creature to begin with. I thought Candy Clark was very good as Mary-Lou. She brought some warmth to the proceedings which was appreciated.
Like Roeg's work in general, there is hardly any humour here. He was primarily a visionary auteur and The Man Who Fell To Earth is undoubtedly a work that allows him to express himself in a highly personal way. But unlike in Performance, Walkabout, Don't Look Now and even Bad Timing the technique never seemed to achieve an overall whole. My feeling is that I would need to re-watch this movie in order to develop a better appreciation of it. On first impressions, it's a collection of great moments within an impenetrable whole. A very strange film though.