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Logan's Run ()


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An idyllic sci-fi future has one major drawback: life must end at the age of 30.

Director:
Awards:
  • Nominated for 2 Oscars. Another 7 wins & 2 nominations.
  • See more »
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Cast verified as complete

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Logan
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Francis
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Jessica
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Box
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Holly (as Farrah Fawcett-Majors)
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Doc
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Old Man
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2nd Sanctuary Man
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The Woman Runner
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Billy
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Mary 2
Laura Hippe ...
Woman Customer
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Sandman
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Sanctuary Woman
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Cub (as Gregg Lewis)
Ashley Cox ...
Timid Girl
Bill Couch ...
Sandman
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Runner (as Glen Wilder)
Rest of cast listed alphabetically:
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Last Day Character (uncredited)
Roger Borden ...
Sandman Daniel (uncredited)
Greg Bransom ...
Sand Man (uncredited)
Paula Crist ...
City Dweller (uncredited)
Virginia Ann Ford ...
The City Computer (uncredited)
Chuck Gaylord ...
Cub (uncredited)
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Cub (uncredited)
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(uncredited)
Jessie Kirby ...
Confused City Dweller (uncredited)
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3rd Sanctuary Man / Ambush Man (uncredited)
Bob Neill ...
1st Sanctuary Man (uncredited)
Renie Radich ...
Love Shop Woman with Toy (uncredited)
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1st Screamer in Logan's Apartment (uncredited)
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Screamer Party Woman (uncredited)
Ron D. Thornton ...
Runner Great Hall (uncredited)

Directed by

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Michael Anderson

Written by

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David Zelag Goodman ... (screenplay by)
 
William F. Nolan ... (based on the novel "Logan's Run") and
George Clayton Johnson ... (based on the novel "Logan's Run")

Produced by

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Hugh Benson ... associate producer
Saul David ... producer

Music by

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Jerry Goldsmith

Cinematography by

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Ernest Laszlo ... director of photography

Film Editing by

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Bob Wyman

Editorial Department

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Freeman A. Davies ... associate film editor (as Freeman A. Davies Jr.)
Chuck Ellison ... assistant film editor (as Charles G. Ellison)

Casting By

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Jack Baur

Production Design by

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Dale Hennesy ... (uncredited)

Art Direction by

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Dale Hennesy

Set Decoration by

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Robert De Vestel

Costume Design by

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Bill Thomas

Makeup Department

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Judith A. Cory ... hair styles (as Judy Alexander Corey)
William Tuttle ... makeup artist

Production Management

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Byron Roberts ... unit production manager

Second Unit Director or Assistant Director

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Alan Brimfeld ... second assistant director (as Alan H. Brimfield)
Win Phelps ... second assistant director
David Silver ... assistant director
John Slosser ... second second assistant director (uncredited)

Art Department

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George Jenson ... illustrator
Jack M. Marino ... property master
Charles Sertin ... property assistant
William Cruse ... set designer (uncredited)
Dave Margolin ... painter (uncredited)
Benjamin Resella ... scenic designer (uncredited)

Sound Department

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Jerry Jost ... sound
William L. McCaughey ... sound (as William McCaughey)
John Riordan ... sound editor (as John P. Riordan)
Aaron Rochin ... sound
Harry W. Tetrick ... sound
Philip Dodds ... electronic sound effects (uncredited)
Ken Dufva ... foley artist (uncredited)
Stephen Katz ... stereo sound consultant: Dolby (uncredited)

Special Effects by

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Glen Robinson ... special effects
Wayne Beauchamp ... special effects (uncredited)
Thomas L. Fisher ... special effects assistant (uncredited)
Gary L. King ... special effects (uncredited)
Jay King ... special effects technician (uncredited)
Terry W. King ... special effects technician (uncredited)
Wayne Rose ... special effects (uncredited)
Jimmy Thomson ... special effects (uncredited)

Visual Effects by

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L.B. Abbott ... special visual effects designer
James F. Liles ... optical supervisor (as Jim Liles)
Larry Robinson ... assistant: L. B. Abbott
Frank Van der Veer ... additional visuals (as Frank Van Der Veer)
Matthew Yuricich ... matte paintings

Stunts

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Bill Couch ... stunt coordinator
Glenn R. Wilder ... stunt coordinator (as Glen Wilder)
Phil Adams ... stunts (uncredited)
Denny Arnold ... stunts (uncredited)
Gregory J. Barnett ... stunts (uncredited)
Craig R. Baxley ... stunts (uncredited)
May Boss ... stunts (uncredited)
Dottie Catching ... stunts (uncredited)
Bill Couch Jr. ... stunts (uncredited)
Paula Crist ... stunts (uncredited)
Pepper Curtis ... stunts (uncredited)
Angelo De Meo ... stunts (uncredited)
Paula Dell ... stunts (uncredited)
Wayne Dillard ... stunts (uncredited)
Jeannie Epper ... stunts (uncredited)
Donna Garrett ... stunts (uncredited)
Chuck Gaylord ... stunts (uncredited)
Mitchell Gaylord ... stunts (uncredited)
Barbara Graham ... stunts (uncredited)
Tommy J. Huff ... stunts (uncredited)
Whitey Hughes ... stunts (uncredited)
Loren Janes ... stunts (uncredited)
Rosemary Johnston ... stunts (uncredited)
Dawn Landing ... stunts (uncredited)
Carol Lee ... stunts (uncredited)
'Wild' Bill Mock ... stunts (uncredited)
Gary Morgan ... stunts (uncredited)
Carole Navarro ... stunts (uncredited)
Beth Nufer ... stunts (uncredited)
Regina Parton ... stunts (uncredited)
Alex Plasschaert ... stunts (uncredited)
Fluir Powell ... stunts (uncredited)
Dar Robinson ... stunts (uncredited)
Walter Robles ... stunts (uncredited)
Russell Saunders ... stunts (uncredited)
Lori Thomas ... stunts (uncredited)
Michael Washlake ... stunts (uncredited)
Glenn R. Wilder ... stunts (uncredited)
Sunny Woods ... stunts (uncredited)
Dick Ziker ... stunts (uncredited)

Camera and Electrical Department

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Martin Kashuk ... key grip (as Martin G. Kashuk)
Thomas P. Powell ... rigger gaffer: Los Angeles Unit
Don Stott ... chief set electrician
Ron Anderson ... electrician (uncredited)
Doug Byers ... electrician (uncredited)
Scott Hamilton ... still photographer (uncredited)
Robert Jason ... electrician (uncredited)
Robert C. Jessup ... director of photography: second unit (uncredited)
Mike Redding ... lighting technician (uncredited)
Gary Stark ... electrician (uncredited)
Chris Strong ... electrician (uncredited)

Casting Department

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Shari Rhodes ... location casting: Texas (uncredited)

Costume and Wardrobe Department

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Richard Butz ... wardrobe (as Dick Butz)
Edna Taylor ... wardrobe
Joan Joseff ... costume jeweller (uncredited)

Music Department

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Harry V. Lojewski ... music supervisor
William Saracino ... music editor
Harry Bluestone ... musician: violin (uncredited)
Larry Bunker ... musician: percussion (uncredited)
Philip Dodds ... synthesizer effects (uncredited)
Jerry Goldsmith ... conductor (uncredited)
Willard Jones ... music copyist (uncredited)
Artie Kane ... musician: piano and keyboards (uncredited)
Milton Kestenbaum ... musician: bass (uncredited)
Virginia Majewski ... musician: viola (uncredited)
Arthur Morton ... orchestrator (uncredited)
Richard Nash ... musician: trombone (uncredited)
Uan Rasey ... musician: trumpet (uncredited)
Emil Richards ... musician: percussion (uncredited)
Aaron Rochin ... music engineer (uncredited)

Other crew

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Leon Charles ... dialogue coach
Lara Lindsay ... assistant to producer
Ron Mitchell ... production assistant
Don Morgan ... unit publicist
Christopher Outwater ... laser consultant
Ray Quiroz ... script supervisor
Richard Vetter ... consultant: Todd-AO
Stefan Wenta ... choreography

Thanks

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Diane Booker ... thanks: executive director, the Texas Film Commission, Dallas, Texas
W.E. Cooper ... thanks: president, Dallas Market Center, Dallas, Texas
T.S. Eliot ... "Old Possum's Book of Practical Cats" is quoted by permission
Crew verified as complete

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

It's 2274 and on the surface, it all seems to be an idyllic society. Living in a city within an enclosed dome, there is little or no work for humans to perform and inhabitants are free to pursue all of the pleasures of life. There is one catch however: your life is limited and when you reach 30, it is terminated in a quasi-religious ceremony known as Carousel. Some, known as runners, do try to escape their fate when the time comes and it's the job of Sandmen to track them down and kill them. Logan is such a man and with several years before his own termination date, thinks nothing of the job he does. Soon after meeting a young woman, Jessica-6, he is ordered to become a runner himself and infiltrate a community outside the dome known as Sanctuary and to destroy it. Pursued by his friend Francis, also a Sandman, Logan and Jessica find their way to the outside. There they discover a beautiful, virtually uninhabited world. Logan realizes that he must return to the dome to tell them what he's found and be set free. Written by garykmcd

Plot Keywords
Taglines A movie that begins where your imagination ends. See more »
Genres
Parents Guide View content advisory »
Certification

Additional Details

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Also Known As
  • 2300: A Future Odyssey (Japan, English title)
  • L'├óge de cristal (France)
  • Flucht ins 23. Jahrhundert (Germany)
  • La fuga de Logan (Spain)
  • Pako tulevaisuudesta (Finland)
  • See more »
Runtime
  • 119 min
Country
Language
Color
Aspect Ratio
Sound Mix
Filming Locations

Box Office

Budget $9,000,000 (estimated)

Did You Know?

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Trivia The "Love Shop" sequence originally ran about 4 minutes, but required re-editing for the film to be granted a PG rating. Other cut scenes include Box making a nude ice sculpture of Logan and Jessica, and several characters visiting the "Hallucimill" shop in Arcade (cut for its depiction of drug use). All of the additional footage and its background music were lost in what is now known as "the great MGM purge", when studio owner Kirk Kerkorian sold off what he could of the studio's extensive archives and simply threw out the rest. See more »
Goofs Jessica's panties keep changing from light to dark green. In one scene, they appear to be beige. See more »
Movie Connections Edited into Logan's Run (1977). See more »
Quotes Box: Regular storage procedure. The same as the other food. The other food stopped coming. And they started.
Logan: What other food?
Box: Fish, and plankton. And sea greens, and protein from the sea. It's all here, ready. Fresh as harvest day. Fish and sea greens, plankton and protein from the sea. And then it stopped coming. And they came instead. So I store them here. I'm ready. And you're ready. It's my job. To freeze you. Protein, plankton...
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