In the distant future, a police marshal stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the populace when he later finds himself marked for murder.
It's 2274 and on the surface, it all seems to be an idyllic society. Living in a city within an enclosed dome, there is little or no work for humans to perform and inhabitants are free to pursue all of the pleasures of life. There is one catch however: your life is limited and when you reach 30, it is terminated in a quasi-religious ceremony known as Carousel. Some, known as runners, do try to escape their fate when the time comes and it's the job of Sandmen to track them down and kill them. Logan is such a man and with several years before his own termination date, thinks nothing of the job he does. Soon after meeting a young woman, Jessica-6, he is ordered to become a runner himself and infiltrate a community outside the dome known as Sanctuary and to destroy it. Pursued by his friend Francis, also a Sandman, Logan and Jessica find their way to the outside. There they discover a beautiful, virtually uninhabited world. Logan realizes that he must return to the dome to tell them what ...Written by
If you pay attention to Jerry Goldsmith's score, you'll find that he uses a full orchestra with no electronic instruments when the action is outside of the city. When inside the city, his orchestra consists solely of strings, piano, and electronic instruments (though the "New Face" segment has some metal percussion instruments that are heard). The music at the beginning of the film during the credits does add the electronic instruments with the full orchestra though. See more »
When Logan and Francis are chasing the runner in the open-air lobby, the runner climbs up one floor and starts to clamber over the railing. As shown from below, the support column next to the place where he's climbing up is about flush with the railing. Then the shot changes and the runner is shown still clambering over the railing. However, now the support column extends a few feet back from the railing, and there's a large potted plant next to it that wasn't there before. See more »
[tapping on a glass window of maternity room]
Logan, you are here. I couldn't believe it when they told me. What are you doing?
Logan 6. Well it's not everyday that they authorize a new sandman. I tell you Francis,
Well maybe, maybe not. What does it matter? Anyway, he isn't yours anymore.
[continues tapping lightly on the glass]
All right, you want me to wake him?
[bangs loudly on the glass with his baton]
[...] See more »
I was twelve when Logan's Run came out and I thought that it was the best thing since sliced bread. It blew me away. So when I picked it up recently on DVD and watched it for the first time in twenty-eight years I was wondering how it would fare after all this time.
Well, not too badly. Many of the IMDb reviewers of Logan's Run hit the nail on the head when they say that this film is definitely a product of its time. Yes, the special effects are sort of laughable now (the teeny tiny maze cars zipping through the a model of the city that looks about six inches tall), but you have to judge those sorts of things in the context of the time they were made. As strange as it may seem to people who now expect Lord of the Rings-quality special effects, Logan's Run was cutting edge in its day. And a few of the special effects still stand up fairly well. The light envelope that comes down over the Carousel or the matte shots of Washington. Not great for twenty-first century film-making, but a minor miracle for 1976.
The story has more holes than a piece of swiss cheese and the acting is a bit touch and go, but that doesn't get in the way of a fairly entertaining movie. Seeing the movie all these years later I suppose the few moments of bad acting hit me more than anything else. As a kid I thought that Peter Ustinov's old man was brilliant, but now it just seems like awkward overacting. Which isn't to say that his character isn't somewhat endearing.
Michael York, a really wonderful actor, misses the mark a few times, but generally he and Jenny Agutter do a fine job.
Listen, this isn't a brilliant movie, but it does have its moments. Most science fiction movies made in the 1970s haven't endured the test of time especially well. With the purple mascara, pastel-coloured costumes and hair feathered like a great phoenix. But all in all I still found Logan's Run to be an entertaining and enjoyable trip back to the strange world of 1976.
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