In the twenty-fifth century, a time when people have designations instead of names, a man, THX 1138, and a woman, LUH 3417, rebel against their rigidly controlled society.
Director:
George Lucas
Stars:
Robert Duvall,
Donald Pleasence,
Don Pedro Colley
In a future where all flora is extinct on Earth, an astronaut is given orders to destroy the last of Earth's botany, kept in a greenhouse aboard a spacecraft.
It's 2274, and on the surface, it all seems to be an idyllic society. Living in a city within an enclosed dome, there is little or no work for humans to perform, and inhabitants are free to pursue all of the pleasures of life. There is one catch however: your life is limited and when you reach thirty, it is terminated in a quasi-religious ceremony known as "carrousel". Some, known as "runners", try to escape their fate when the time comes, and it's the job of Sandmen to track them down and kill them. Logan (Michael York) is such a man, and with several years before his own termination date, thinks nothing of the job he does. Soon after meeting a young woman, Jessica-6 (Jenny Agutter), he is ordered to become a runner and infiltrate a community outside the dome known as "Sanctuary" and to destroy it. Pursued by his friend Francis (Richard Jordan), also a Sandman, Logan and Jessica find their way to the outside. There, they discover a beautiful, virtually uninhabited world. Logan ...Written by
garykmcd
After Logan and Jessica enter Washington, they are seen wading in the reflecting pool on the National Mall, approaching the Washington Monument from the west, with the Capitol visible behind. That would put the Lincoln Memorial behind them. Yet the next scene has them climbing the steps of the Lincoln Memorial they would have just passed. See more »
Quotes
[first lines]
Logan:
[tapping on a glass window of maternity room]
Wake up.
Francis:
Logan, you are here. I couldn't believe it when they told me. What are you doing?
Logan:
[indicates baby]
Logan 6. Well it's not everyday that they authorize a new sandman. I tell you Francis,
[indicating baby]
Logan:
that's him.
Francis:
Well maybe, maybe not. What does it matter? Anyway, he isn't yours anymore.
Logan:
[continues tapping lightly on the glass]
Francis:
All right, you want me to wake him?
[bangs loudly on the glass with his baton]
[...] See more »
Alternate Versions
A bootleg audio recording exists of the May 1976 sneak preview in San Diego, suggesting that the preview cut ran approximately 130 minutes. In addition to the inclusion of the scene after the titles where Francis kills a runner who falls into a pool to applause from onlookers, it includes:
A longer exchange in the Nursery.
A longer Carousel sequence, with no overdubbed computer voice announcing Last Day.
Slightly longer scenes between Logan and Jessica, including one where Jessica asks if Logan thinks "flame-out" is the ultimate kill. Another cut bit includes Logan explaining the danger of cubs "flying on Muscle," an unauthorized drug that "speeds up the reflexes" but is "no good for anyone over 13; shake you and me to pieces."
A brief snip where Francis hears Logan's page to Cathedral and announces he will go to help him.
A longer introduction to Holly, who announces that she is "Holly 13" and that "in ancient times, my number was unlucky."
A longer Sex Shop sequence.
There is a reference in Box's dialogue to the ice sculpture existing in the preview print because he says "What a pair! I'd like to sculpt you...Let me sculpt you and I'll show you where the others have gone...over there, arms 'round each other...nude, of course..." The dialogue between Logan and Jessica as they pose also sheds light on the plot hole of why Logan signaled the Sandmen to the Runners' hideout. Logan admits that he tried to send her back because he was going to return to the city all along. "That was the plan. I'd been ordered to find out where the Runners had gone and destroy it. That's why I brought in the Sandmen that killed them." He expresses remorse and confusion at his change of heart.
I love this movie for a number of reasons It's got a wonderfully original storyline, eye candy visuals, great 1970's hairdos, doesn't require a PHD to figure out and is just plain fun to watch. I know there are some people on this site that have dissected Logan's Run like a frog in Science Class and have dismissed it for some short comings. But if you attempt to watch this movie by holding a magnifying glass up to it and comparing it's special effects and sets to films like Star Wars, you're not going to enjoy it because it doesn't compete on that level. It's strength is an emphasis on the human condition and rebelling against a regimented society that lies to it's people and the special effects are just along for the ride. Also unlike Star Wars, I look at this movie as a period piece because it's a 1970's perspective on one possible future society and watching it (especially now)you never forget that. Yes it's dated, but like many things from the 70's reminds us of a simpler time and place we can remember fondly.
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I love this movie for a number of reasons It's got a wonderfully original storyline, eye candy visuals, great 1970's hairdos, doesn't require a PHD to figure out and is just plain fun to watch. I know there are some people on this site that have dissected Logan's Run like a frog in Science Class and have dismissed it for some short comings. But if you attempt to watch this movie by holding a magnifying glass up to it and comparing it's special effects and sets to films like Star Wars, you're not going to enjoy it because it doesn't compete on that level. It's strength is an emphasis on the human condition and rebelling against a regimented society that lies to it's people and the special effects are just along for the ride. Also unlike Star Wars, I look at this movie as a period piece because it's a 1970's perspective on one possible future society and watching it (especially now)you never forget that. Yes it's dated, but like many things from the 70's reminds us of a simpler time and place we can remember fondly.