Rynn Jacobs is a thirteen-year-old girl who lives in a secluded house that she and her father have rented in a quiet seaside community. But whenever anybody from the town tries to satisfy their curiosity, Rynn's father is never around, and it seems as if the girl is all alone. Rynn's resourcefulness is put to the test as several people try to find out what she might be hiding, including the snobby landlady and her sleazy son.Written by
Even though he is never actually seen throughout the entire movie, the word "father" is spoken exactly 80 times within the first 75 minutes of the movie, an average of more than once every minute. See more »
Towards the end of the movie, Frank Hallet places the needle on an LP record and classical music is heard. While they are drinking tea, Frank asks Rynn what the music is and she replies, "Chopin, Piano Concerto No. 1." As all vinyl LP's had labels in the center which indicated which work/s of music was/were on them, Frank should have known it was Chopin's First Piano Concerto without having to ask Rynn. See more »
Rynn, I don't believe what you've been telling me about your father.
No, no you're going to tell me that he's in there working, right?
He was this afternoon translating.
Then he was and now he isn't, that's it, eh?
No he's resting upstairs.
I've been here 3 times, and each time I notice how good you are with words, you're very careful, you're too God damned careful.
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Rynn sits staring at Frank Hallet through the entire ending credits as the fire burns behind her. See more »
For the overseas release, a shot of Rynn nude from behind was allegedly added in the sequence where she and Mario are upstairs in her bedroom. See more »
Intriguing, macabre and brilliantly acted - a must see film!
Wow, where has this little flick been? The Little Girl who Lives Down the Lane is an intriguing mystery, an intense character portrait and a dark, brooding thriller all rolled into one rather odd little package - and on a personal note, I liked it a lot! The film has gained some notoriety (although not as much as it would have if it was more seen) for the scene involving a thirteen year old Jodie Foster undressing - but that never offsets the point of the film, and besides that; it's hardly like the scene has just been thrown in to satisfy the perverts in the audience. Furthermore, the most shocking scene in the film involves a hamster with no naked teenage girl present! Anyway, The Little Girl Who Lives Down the Lane is about a young girl, living down a quiet lane with her poet father. Only nobody has ever this man, and it isn't long before nosey neighbours - such as the perverted Frank Hallet and his enquiring, power mad mother comes sniffing round, eager to upset her life. She's not quick to let them know the truth, however, and along with her boyfriend; a crippled young magician from the neighbourhood, she is forced to take steps to preserve her independence.
The most obvious theme running through the film stems from loneliness, and how being brought up on your own will ultimately leave you a different person to if things such as schools are allowed to take charge. This is interesting; as it preaches the idea of social conditioning makes up the person more than most like to admit. The film is often touted as being a horror, but this is incorrect. While the film does feature several macabre instances, and a foreboding and mysterious atmosphere that is present throughout the run time; there's very little in the way of actual horror. The Little Girl Who Lives Down the Lane is much more of a drama-come-mystery than a horror film. The film is probably most notable for it's lead performance. Jodie Foster had already impressed in 1976 with her role in Martin Scorsese's hit film, Taxi Driver - but here she is far better. Despite her young age, Foster commands the screen and despite being a child, her maturity and acting talent shine through to make this a more complete performance than most actresses manage in a lifetime.
On the whole, this film was once hard to come by; but with the new DVD currently doing the rounds, the film should be seen by everyone. The Little Girl Who Lives Down the Lane fits snugly alongside the rest of the classics of the seventies, and the fact that it has only just resurfaced is one of cinema's biggest injustices. Highly recommended viewing!
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