Based on true events an epic story of one man's struggle for survival. Jussi Ketola, returns to Finland from the great depression struck America only to face growing political unrest. One ... See full summary »
Sidse Babett Knudsen,
Pavel's mother hates his fiancee. When Pavel serves in the Army she writes him that Nastya is no longer faithful to him. Pavel decides not to return to his native town. But many years later... See full summary »
A mystical drama based on a story by V. Korotkevich. The film is set in out-of-the-way Belarusian woodlands at the end of the 19th century. A young ethnographer, Andrej Bielarecki, comes here to research local folk legends.
Priest Giorgi, a former Film Director, is sent to serve the small parish in the mountain village. To bring villagers closer to church he starts showing films there. After the screening of ... See full summary »
Early summer 1944 during WW2 people fled into the mines in Bjorvatn. The Nazi had decided to obliterate all of Northern Norway, and the people should be sent south. That didn't happen, and a rumor said the Nazi would blow up the mountain.
The theatrical version is divided in two films: "Legenda o Tile: Pepel Klaasa" ("The Legend of Till: The Ashes of Klaas") (2 parts) and "Legenda o Tile: Da zdravstvuyut nishchiye!" ("The Legend of Thill: Viva Beggars!") (2 parts). TV version is divided in 5 parts. See more »
This TV miniseries is based on the book "La légende et les aventures héroïques, joyeuses et glorieuses d'Ulenspiegel et de Lamme Goedzak au pays de Flandres et ailleurs", by belgian XIX century author Charles de Coaster, which, in turn is based on the popular German renaissance text "Ein kurzweiliges Buch von Till Eulenspiegel aus dem Lande Braunschweig", by Hermann Bote. The story is set at the time of religious wars and turmoils following the protestant reformation and the hero fights for the freedom of his country from Spanish occupation and from the holy inquisition. The fist parts of the film are devoted to showing the atmosphere of oppression in the Netherlands at the time, with people being reported to the inquisition by envious neighbors and burned at the stake on flimsy excuses, when the real goal is for the king to get hold of their riches. Obviously this must have been a "hot theme" for soviet citizens even in the seventies, and it might be the reason why the film is so effective, though I wonder how it passed censorship. The whole film is spectacularly shot, in the tradition of the best Russian film-making, but probably the most monumental scene is at the end, when Til drives a ship into a flooded town. This film is probably very hard to come by, unless you live in one of the ex-socialist countries, but if you do manage to see it you won't regret it.
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