This movie interlaces the stories of several characters in a small town united by their use of CB (citizen's band) radio. Paul LeMat is the local CB coordinator who has time for little else... See full summary »
Rock-music lover and feature-film director Jonathan Demme takes on eccentric British singer-songwriter, Robyn Hitchcock, in an ambitious concert film. Setting up a stage in a New York ... See full summary »
Peter Fonda insisted that Bruce Langhorne compose the music for this movie. Fonda also insisted on driving a Caterpillar bulldozer in one scene instead of having a stunt double do it for him. See more »
When Len Skeritt gets up from the scuffle at the construction site, he puts his hat on, but when he walks over to grill the "security expert", he's seen putting his hat on again. See more »
Sheriff Len Skerritt:
[after he gets knocked down by an enraged Tom and and angrily fires his gun in the air]
DON'T FUCK WITH ME!
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Henry Fonda should have been--appalled, that is--with his counter-culture son playing the hillbilly-vigilante-avenger who goes after the eee-vill mining company in Jonathan Demme's Fighting Mad.
Peter Fonda got off to an interesting start with Easy Rider, but it didn't take a lot of acting skill to cruise around on a Harley, stoned out one's gourd, so he wound up doing junk like this for producer Roger Corman.
I'm not going to give a synopsis of this thing, lest I start thinking about the time I wasted watching it. I just wanted to warn you 70s action fans out there to steer clear of Fighting Mad the next time Fox Movie Channel shows it. For the life of me, I can't understand why they chop up other movies for broadcast, but they slapped a TV-MA on this one because . . .
Hearing a couple "f-bombs" and seeing some boobage so helped advance the story. Don't get me wrong, boobs are just fine and a couple "fungoos" don't offend me. It's the fact that having the love interest of Peter Fonda scold him not to go out there and get hisself dead while airing out her mommy parts after sex isn't worth my time.
I must be getting old. In 1976, I would have elbowed my best friend to make sure he was grooving to the boobs on screen, the orangey blood being spilled, and the bad words that the three networks would hack out for broadcast.
Now, I look for things like originality, dialogue, depth and breadth of visuals, and intellectual stimulation. You know . . . the stuff you would never find in anything like Fighting Mad.
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