A French Intelligence Agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.
The trickster Madam Blanche Tyler lures the elder millionaire Julia Rainbird that believes she is a spiritualist. After a séance, she discovers that Julia is tormented by her past, when she forced her sister and single mother Harriet to deliver her baby for adoption to avoid a family scandal. Julia promises the small fortune of ten thousand-dollar to Blanche if she finds her nephew and heir of her fortune using her phony powers. Blanche asks her boyfriend George Lumley, who is an unemployed actor working as cab driver, to investigate the whereabouts of Julia's nephew. Meanwhile, the greedy jeweler and collector Arthur Adamson kidnaps wealthy people with his girlfriend Fran to increase his collection of diamonds with the ransom. When George concludes that Arthur Adamson might be the heir of Julia Rainbird, the reckless Blanche gets in trouble with the kidnappers.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
As George and Blanche careen down the mountain without brakes, they drive up a sloped embankment. The first slope we see comes as we are heading down the hill, and it is a right banking slope. But mount a camera on the hood of the car to capture the occupants of the car, the angle is reversed, and the car will appear to tilt to the left. That is because we are looking in the opposite direction; the hood camera will tilt opposite the driver's camera. So on the first right embankment, we actually see George and Blanch in a car tilted to the left. Then George steers off that first embankment, crosses traffic over to the embankment on the other side of the road, which is sloped to the left. The interior of the car should now tilt to the right. Yet when the hood camera comes back on, the interior of the car is still in the same orientation it was when the car was on the first embankment. The car never tilted in the other direction to match the new sloped embankment that it is now on. See more »
Isn't it touching how a perfect murder has kept our friendship alive all these years.
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Alfred Hitchcock's final film Family Plot is a story of two male and female criminal partnerships. The first pair is Bruce Dern and Barbara Harris who are a pair of small time grifters and we meet them in the process of fleecing a rich old spinster Cathleen Nesbitt with a phony psychic act.
The second pair are William Devane and Karen Black who have a lovely line in ransom kidnappings. They've really got it worked out to a science, including a soundproof hidden room in Devane's basement where the victims can be stashed until the ransom is paid.
Nesbitt confesses that she had her late sister give up an out of wedlock child during a séance and now she'd like to make amends by finding him and making him her heir. So with a finder's fee in mind Dern and Harris start digging.
Their paths cross Devane and Black as the police are hunting them so it becomes quite an interesting set of circumstances as Devane and Black suspect the others of being police operatives.
Hitchcock cleverly interweaves the stories of the two couples into a very cohesive plot. The players all hit the mark with their roles,] especially Devane, a smooth talking killer in the Hitchcock tradition of Otto Kruger in Saboteur, Tom Helmore in Vertigo, and James Mason in North By Northwest.
The ending is a bit of a surprise though, it comes rather abruptly. I have to confess I didn't like it at first, but it does kind of grow on you with repeated viewings.
Family Plot is a good for the master of suspense to go out on.
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