7.4/10
86,879
561 user 163 critic

Eraserhead (1977)

Not Rated | | Horror | 3 February 1978 (USA)
Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.

Director:

David Lynch

Writer:

David Lynch
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Popularity
2,011 ( 363)

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2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Jack Nance ... Henry Spencer (as John Nance)
Charlotte Stewart ... Mary X
Allen Joseph ... Mr. X
Jeanne Bates ... Mrs. X
Judith Roberts ... Beautiful Girl Across the Hall (as Judith Anna Roberts)
Laurel Near ... Lady in the Radiator
V. Phipps-Wilson V. Phipps-Wilson ... Landlady (long version)
Jack Fisk ... Man in the Planet
Jean Lange Jean Lange ... Grandmother
Thomas Coulson Thomas Coulson ... The Boy
John Monez John Monez ... Bum
Darwin Joston ... Paul
T. Max Graham T. Max Graham ... The Boss (as Neil Moran)
Hal Landon Jr. ... Pencil Machine Operator
Jennifer Lynch ... Little Girl
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Storyline

A film that defies conventional logic and storytelling, fueled by its dark nightmarish atmosphere and compellingly disturbing visuals. Henry Spencer is a hapless factory worker on his vacation when he finds out he's the father of a hideously deformed baby. Now living with his unhappy, malcontent girlfriend, the child cries day and night, driving Henry and his girlfriend to near insanity. Written by Jacob Samuelson

Plot Summary | Plot Synopsis

Taglines:

Where your nightmares end... See more »

Genres:

Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

3 February 1978 (USA) See more »

Also Known As:

Eraserhead See more »

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Box Office

Budget:

$20,000 (estimated)

Gross USA:

$7,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby (re-release)| Mono (original release)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Poet/short story writer/novelist Charles Bukowski's favorite film. The great outsider was not a notable fan of cinema. In his roman a clef "Hollywood" about the making of Barfly (1987), he talks about meeting a famous director and his consort, based on David Lynch and Isabella Rossellini. His character, Henry Chinaski, finds them condescending. See more »

Goofs

Camera shadow visible, tracking into the light towards the end of the film. See more »

Quotes

[first lines]
Beautiful Girl Across the Hall: Are you Henry?
Henry Spencer: Yes?
Beautiful Girl Across the Hall: A girl named "Mary" called on the payphone in the hallway about an hour ago. She said that she's at her parents and that you're invited to dinner.
Henry Spencer: Oh, yeah?
[after a long pause]
Henry Spencer: Well... thank you very much.
[Henry enters his apartment, while the girl slowly closes the door to hers]
See more »

Crazy Credits

There are no opening credits, just a long, tilted close-up of the face of Jack Nance. See more »

Alternate Versions

The original print of the film ran 20m longer and featured a number of characters who are referenced in the credits but do not appear: The people digging in the alley show up in the second half of the movie. Henry comes across two kids excavating rows of dimes from the asphalt in the street. The landlady shows up in the second half, in a scene where Henry goes into the lobby of the apartment building and takes out his anger on a bench. "You stop kicking my bench!" the landlady shouts at him. "That's good wood!" See more »

Connections

Referenced in The Short Films of David Lynch (2002) See more »

Soundtracks

In Heaven (Lady In The Radiator Song)
Mixed By Alan Splet , David Lynch
Written By David Lynch, Peter Ivers
© Copyright 1976. David Lynch.
© 1976 O.K. Paul Music.
See more »

Frequently Asked Questions

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User Reviews

how weird can you get?
6 May 1999 | by hurstoSee all my reviews

I needed to read all the other reviews here before I was game to make a comment. I'm a great fan of Lynch's Wild at Heart having seen it four times, and recently loved Lost Highway. But this one left me baffled. I'd heard of it for years, but can make little sense of it. It certainly didn't bore me, in fact I was fascinated to see where the plot led. Tried to analyse it in terms of symbolism, but decided that if I have to do that the film isn't really speaking to me. The dark broodiness is impressive, the squishiness repulsive, and Henry's hairdo is unforgettable!


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