The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
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A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
A film that defies conventional logic and storytelling, fueled by its dark nightmarish atmosphere and compellingly disturbing visuals. Henry Spencer is a hapless factory worker on his vacation when he finds out he's the father of a hideously deformed baby. Now living with his unhappy, malcontent girlfriend, the child cries day and night, driving Henry and his girlfriend to near insanity.Written by
David Lynch had a lot of trouble getting financial assistance from the AFI, because the script was only 20 pages long. He received a grant from AFI but after about 3 years of production, ran out of money. At one point Terrence Malick screened the film for a potential financial backer, who walked out, calling the movie "bullshit". See more »
When Henry enters Mary's house, there is a large, distinctive "dent" on the top of his hair that disappears when he gets into the house. See more »
I needed to read all the other reviews here before I was game to make a comment. I'm a great fan of Lynch's Wild at Heart having seen it four times, and recently loved Lost Highway. But this one left me baffled. I'd heard of it for years, but can make little sense of it. It certainly didn't bore me, in fact I was fascinated to see where the plot led. Tried to analyse it in terms of symbolism, but decided that if I have to do that the film isn't really speaking to me. The dark broodiness is impressive, the squishiness repulsive, and Henry's hairdo is unforgettable!
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