The film is set in St. Petersburg, Russia after the Russian revolution of 1917. Based on the eponymous book by Boris Lavrenev. Maj. General Yevgeni Pavlovich Adamov (Popov) was a lawyer in ... See full summary »
A group of scientists are sent to the planet Arkanar to help the local civilization, which is in the Medieval phase of its own history, to find the right path to progress. Their task is a ... See full summary »
A film-in-film story set in a provincial town in Russia. Pasha (Churikova) is an amateur actress who plays a witch at a local club, but her dream is to play Joan of Arc. In a strike of luck... See full summary »
Country girl Nadia moves to the city and becomes a maid in Valya's apartment. Valya, who is a member of the local District Committee, does not know that Nadia fell in love with her ... See full summary »
The defeat of the "White Army" in the Russian Civil War of 1918-21, causing massive emigration of the upper classes and nobility, called "White Russians". Set in Crimea, Constantinopol and ... See full summary »
Tamara and Sasha were separated during the war. Now (1957) Sasha is visiting Moscow for five days and by chance recognizes the house where Tamara used to live. She is still living there with her nephew Slava.
War correspondent Lopatin takes a 20-day-leave from his hard work at the front in 1942. He travels to faraway Tashkent to meet the family of the killed soldier and visit the film set of the screen adaptation of his war-time stories. Lopatin also manages to walk the streets of Tashkent, take part in a factory workers' meeting and have a short-lived love affair. Although with no bombings and fighting, the city dwellers breathe the atmosphere of the ongoing war.Written by
possibly one of the best WWII-themed films I've ever seen
"Twenty Days without War" is one of the very few "cinema-verite" style films made on the topic of World War II, specifically the Soviet home front. Based on the life of famous war correspondent and poet Konstantin Simonov (who himself narrates off-screen at the opening and closing sequences), this remarkable film follows the venerable Yuri Nikulin, playing a Simonov-like character who is granted a 20-day leave to visit the Uzbek city of Tashkent (one of the major evacuation centers during the war, where the Soviet cinema studios were moved). Part of his journey's purpose is to advise the filming of a propagandistic screen version of one of his stories. Many of the sequences here are shot almost documentary-style, with such unpretentiousness and candor, as if the real war participants and victims were actually interviewed on screen. And yet, lyrical and even poetic moments are also glimpsed, albeit in amazingly unforced, unsentimental fashion. Most of the actors, including Nikulin himself, lived through or fought in the war, and their intention, as well as the director's must have been to deliver a hitherto-unknown, "you are there" immediacy to the audience. They splendidly succeed, as the film, like no other of its kind, brings to life the reminiscences of my grandparents, who experienced both the fighting and the evacuation. In fact, it remains my grandmother's all-time favorite war film because of the honesty of its emotions and the truthful spirit of the period it conveys.
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