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Drum (1976)

A mid-19th century mulatto slave is torn between his success as a pit-fighter and the injustices of white society.

Directors:

Steve Carver, Burt Kennedy (uncredited)

Writers:

Kyle Onstott (based on a novel by), Norman Wexler (screenplay)
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Cast

Cast overview, first billed only:
Warren Oates ... Hammond Maxwell
Isela Vega ... Marianna
Ken Norton ... Drum
Pam Grier ... Regine (as Pamela Grier)
Yaphet Kotto ... Blaise
John Colicos ... Bernard DeMarigny
Fiona Lewis ... Augusta Chauvet
Paula Kelly ... Rachel
Royal Dano ... Zeke Montgomery
Lillian Hayman Lillian Hayman ... Lucretia Borgia
Cheryl Smith ... Sophie Maxwell (as Rainbeaux Smith)
Alain Patrick Alain Patrick ... Lazare
Brenda Sykes ... Calinda
Clay Tanner Clay Tanner ... Mr. Holcomb
Lila Finn Lila Finn ... Mrs. Holcomb
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Storyline

A mid-19th century mulatto slave is torn between his success as a pit-fighter and the injustices of white society.

Plot Summary | Add Synopsis

Taglines:

It scalds. It shocks. It whips. It bleeds. It lusts. It out-Mandingo's "Mandingo"! See more »

Genres:

Action | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

23 November 1977 (France) See more »

Also Known As:

L'enfer des mandigos See more »

Filming Locations:

Louisiana, USA

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Producer Dino De Laurentiis was so displeased with the final result that he took his name from above the title. See more »

Goofs

Actually internally, within the US, the slave trade was still legal. It was the Atlantic Slave trade that was outlawed in 1808. Internal slave trading existing up until the Civil War. See more »

Quotes

Hammond Maxwell: What we been makin' ain't love!
See more »

Connections

Featured in A Century of Black Cinema (2003) See more »

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User Reviews

Entertaining exploitation trash almost single handedly redeemed by a terrific Warren Oates performance.
12 January 2003 | by InfofreakSee all my reviews

'Drum' is the kinda sorta sequel to 'Mandingo', a movie that tried to walk a fine line between being a "serious" drama and a silly but fun exploitation movie. The director this time around is Steve Carver who made the trash classics 'Big Bad Mama' and 'The Arena', and he doesn't even attempt to disguise the Drive-In feel of this one. Ken Norton once again stars but plays a different character than in 'Mandingo'. Warren Oates plays Hammond Maxwell who Perry King played in the first movie. The idea that they are the same man is totally ridiculous and unbelievable, but once you can get over that hurdle you are in for a good time. Oates is outrageously amusing but without resorting to the hamminess that James Mason brought to 'Mandingo'. He is simply a joy to watch, as an uncouth but charming slave owner, and is the number one reason to hunt down this movie. Oates terrific performance more than makes up for Norton's dull turn. Also very good is Yaphet Kotto ('Blue Collar') as Drum's friend turned enemy Blaise, also one of Oates' slaves. Kotto is excellent (as usual) and it's a pity he wasn't the star instead of Norton. Fiona King ('The Fury') plays Oates' wife to be and is entertaining, as is Rainbeaux Smith ('Caged Heat') as Oates slutty daughter (a similar role to Susan George's in 'Mandingo' but much more enjoyable). Also noteworthy is John Colicos ('The Postman Always Rings Twice') as a very evil and camp slave owner who vows to kill Drum who spurns his salacious advances. The impressive cast also includes blaxploitation legend Pam Grier ('Black Mama, White Mama') who sadly doesn't have all that much screen time, and Oates 'Bring Me The Head Of Alfredo Garcia' co-star Isela Vega, who doesn't have much more. 'Drum' is pure exploitative trash and proud of it. If you take it in that spirit and not as a serious study of racism in 19th century America you'll enjoy it immensely. Especially when watching Warren Oates in one of his most enjoyable and underrated performances. This movie is essential viewing for all Oates fans.


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