Twenty years after having talked about death, the world and their problems in "El desencanto", the Panero brothers reflect about their actual situation at the moment and what has happened ... See full summary »
Juan Luis Panero,
Leopoldo María Panero,
Spanish actor Gustavo Salmerón steps behind the camera to capture the winsome eccentricities of his extraordinary mother Julita, who had three dreams: having lots of kids, owning a monkey, and living in a castle.
Antonio García Cabanes,
Ramón García Salmerón
Ever since her mum died, María has taken care of her father and her siblings. That's why her father's announcement of marriage to his nurse brings María's world crashing down around her. At the age of 35, she'll have to change her fate.
José Ángel Egido,
This film is a documentary about the poet 'Leopoldo Panero'. His widow and his sons talk about death in general and in this special case and also about their own family problems.Written by
Between all the terror films I think that El desencanto is the most horrible example. In fact this is one documentary; the best creative documentary of the spanish cinematographic history.
This is the second Jaime Chávarri's movie (an unknown director (except, maybe, in Argentina and Spain because of the popularity of his musical movie Las cosas del querer, with Angela Molina)), but we must to consider that this is a four-hands-made film because of the active cooperation between Chávarri and Querejeta, the producer of the documentary.
In this film we can find some of the harder scenes I've ever seen. The vampiric presence of Leopoldo Panero, who was dead eight years before the production of this movie about the Panero's family, marks absolutely the life of his widow and sons and, in another level, the public one's too. Leopoldo Panero, like Frankenstein, is hidden somewhere listening to his family's declarations and he is preparing to come back to put the things in "correct way".
Ricardo Franco, a good spanish director, tries to re-birth the "desencanto"'s spirit in a second part of this movie, but his documentary (which where produced twenty years after, when the widow were dead) didn't arrive to the unconscient perfection of the original film. Anywhere, Franco hadn't the art of building the fearest movie.
11 of 18 people found this review helpful.
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