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Cool Red (1976)

Countdown at Kusini (original title)
Story of the transition of an African country from colonialism to independence.

Director:

Ossie Davis
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Cast

Cast overview:
Ruby Dee ... Leah Matanzima
Ossie Davis ... Ernest Motapo
Greg Morris ... Red Salter
Tom Aldredge ... Ben Amed
Michael Ebert Michael Ebert ... Charles Henderson
Thomas Baptiste ... John Okello
Jab Adu Jab Adu ... Juma Bakari
Elsie Olusola Elsie Olusola ... Mamouda
Funso Adeolu Funso Adeolu ... Marni
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Storyline

Story of the transition of an African country from colonialism to independence.

Plot Summary | Add Synopsis

Taglines:

A Dynamite Story of African Revolution!

Genres:

Drama

Certificate:

PG
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Details

Country:

USA | Nigeria

Language:

English

Release Date:

9 December 1977 (East Germany) See more »

Also Known As:

Cool Red See more »

Filming Locations:

Lagos, Nigeria

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film,s audience in its opening week was affected by competition from two other black interest titles that also opened at the same time, Leadbelly and Sparkle. See more »

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User Reviews

 
Rare Late Blaxploitation Entry In Era Of Still Radical Content In Films
25 September 2018 | by lchadbou-326-26592See all my reviews

Countdown at Kusini aka Cool Red comes from a period when Hollywood releases were in flux, responding to the changing audience since the mid 1960s.Actors Ossie Davis and Ruby Dee had been disturbed by the stereotypes of African Americans as pimps and thugs circulated in the popular early 70s black exploitation genre, which was coming to an end.Wanting to offer more positive images of Negro liberation they teamed up with the nation,s largest black sorority to produce a story centered on a revolution in a mythical African country, based on a radical leader in Guinea Bisseau who was later commemorated with a stamp by the East German government.the resulting production was plagued by difficulties and mistakes in distribution decisions,and the film as it can be seen today (an educational library video in the TV format was made from a surviving 16mm collector,s print) is not without crudities.But getting to hear dialogue such as that calling out the enemy in Africa as no longer colonial powers but multinational corporations who hire outside mercenaries to thwart rebellion, is refreshing.Especially in 2018 when some of what passes for progressive content (Black Panther) is comic book superhero bombast ,with tired Stalinist tropes dating back to the 1930s.


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