Cast overview, first billed only: | |||
Sissy Spacek | ... | Carrie | |
Piper Laurie | ... | Margaret White | |
Amy Irving | ... | Sue Snell | |
William Katt | ... | Tommy Ross | |
John Travolta | ... | Billy Nolan | |
Nancy Allen | ... | Chris Hargenson | |
Betty Buckley | ... | Miss Collins | |
P.J. Soles | ... | Norma | |
Priscilla Pointer | ... | Mrs. Snell | |
Sydney Lassick | ... | Mr. Fromm | |
Stefan Gierasch | ... | Mr. Morton | |
Michael Talbott | ... | Freddy | |
Doug Cox | ... | The Beak | |
![]() |
Harry Gold | ... | George |
![]() |
Noelle North | ... | Frieda |
It's nearing the end of the school year. High school senior Carrie White is a social outcast, largely due to being unwise to the ways of the world based on her upbringing. Her mother, Margaret White, is a religious fanatic, her extreme views primarily targeted against sex, which she believes is a sin. She even believes natural associated processes such as menstruation are a sin, about which she has refused to mention to Carrie. Mrs. White's beliefs were taken to that extreme largely because of her own failed marriage and her husband Ralph long ago having run off with another woman. The only adult authority figure who tries to help Carrie with her life is her phys ed teacher, Miss Collins, who is nonetheless warned not to get too close to go against how Mrs. White chooses to raise Carrie, Mrs. White whose beliefs are well known in the community. An impromptu event that happens among Carrie's phys ed classmates against her leads to her classmates being punished. One of those students, ... Written by Huggo
Youthful energy. That's what this is -- and what it is about.
Spacek, King and Depalma are all at their most committed exuberance. Sometimes callow, but sometimes so rawly honest one often tingles quite apart from the story. See it on this basis alone. DePalma's camera has a sense of dance -- Scorcese does too, but DePalma's is more emotional. Spacek is so clean in her acting that her ability frightens. How strange it went away, like a poltergism.
The story has a haunting tone, also centered on youth and yearning. Menarche as a horror, the innocent acceptance/fear of the basest religion, the brash director intelligently spoofing Hitchcock. Odd mix that, so an odd and intriguing experience.