| Cast overview, first billed only: | |||
| David Carradine | ... | Woody Guthrie | |
| Ronny Cox | ... | Ozark Bule | |
| Melinda Dillon | ... | Mary - Woody's Wife / Memphis Sue | |
| Gail Strickland | ... | Pauline | |
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John Lehne | ... | Locke - Radio Station Manager |
| Ji-Tu Cumbuka | ... | Slim Snedeger - Hobo on Train | |
| Randy Quaid | ... | Luther Johnson - Migrant Worker | |
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Elizabeth Macey | ... | Liz - Johnson's Wife |
| Susan Vaill | ... | Gwen Guthrie | |
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Sarah Vaill | ... | Gwen Guthrie |
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Alexandra Mock | ... | Sue Guthrie |
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Kimberly Mock | ... | Sue Guthrie |
| Miriam Byrd-Nethery | ... | Sick Woman - Water-Swallowing Scene (as Miriam Byrd Nethery) | |
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Jane Lambert | ... | Other Woman - Water-Swallowing Scene |
| Jan Burrell | ... | Other Woman - Water-Swallowing Scene | |
This film is an excellent biography of Woody Guthrie, one of America's greatest folk singers. He left his dust-devastated Texas home in the 1930s to find work, and discovered the suffering and strength of America's working class. Written by L.H. Wong <as9401k56@ntuvax.ntu.ac.sg>
BOUND FOR GLORY compassionately portrays that Woody Guthrie's gift to mankind was about being at life's mercy, deliberately staying on a par with everyday people -- not just understanding and speaking for them, but being them and speaking for himself.
BOUND FOR GLORY had the courage to abstain from the bigger-than-life formula for Hollywood success, and never hurried its pace to placate a predictably impatient audience. The scenes, and David Carradine morphing into Woody Guthrie, took whatever time was needed to ripen into the enriching story of inherent human value, undeniable personal dignity, and the insidious soul-starving quality of greed that this masterpiece movie tells.
Ronny Cox, Melinda Dillon, Gail Strickland, Randy Quaid, and David Carradine all delivered academy award worthy performances. No saints, no heroes, no cavalry to the rescue; just actors tenderly disappearing into heart capturing characters who are disturbingly vulnerable, familiar, ordinary, and profound.