The Bad News Bears (1976) - News Poster


Kristoff St. John Dead at 52

Actor Kristoff St. John, who played Neil Winters on the CBS daytime soap opera The Young and the Restless for the past 28 years, passed away on February 3. He was 52.

A cause of death has not been released. Sarah Ardalani, a public information officer with the Los Angeles County Department of Medical Examiner-Coroner, told CNN that St. John was found dead at a home in the Woodland Hills area of Los Angeles on Sunday afternoon. There were no signs of homicide or foul play, and there is no criminal investigation, Aguilar said.

CBS and Sony Pictures Television, the studio that produces The Young and the Restless, released a statement Monday saying "The news of Kristoff St. John's passing is heartbreaking."

"He was a very talented actor and an even better person," the statement read. "For those of us who were fortunate enough to work with him on 'The Young and the Restless
See full article at We Love Soaps »

Kristoff St. John Dies: ‘The Young & The Restless’ Actor Was 52

  • Deadline
Kristoff St. John Dies: ‘The Young & The Restless’ Actor Was 52
Kristoff St. John, best known for his role as Neil Winters on CBS’ long-running soap The Young and the Restless, has died. He was 52. The cause of death is not immediately known.

The Daytime Emmy Awards shared news of his passing on its Twitter account.

“It is with unbelievable sadness that we say goodbye to our friend, #DaytimeEmmys winner @kristoffstjohn1. @YandR_CBS Rip.”

St. John won two Daytime Emmy awards out of nine nominations, along with ten NAACP Image Awards.

His attorney, Mark Geragos, paid tribute to St. John on Twitter. “Few men had the unique strength, courage & sensitivity that @kristoffstjohn1 lived every single minute of every day,” Geragos wrote. “He impacted everyone he met and millions who he inspired and in turn admired him. On behalf of @MiaStJohnBoxer & @TheStJohnFamily thank you for all of your love.”

St. John began his career as a child actor, portraying a young Alex Haley
See full article at Deadline »

‘Young and the Restless’ Star Kristoff St. John Dies at 52

  • Variety
‘Young and the Restless’ Star Kristoff St. John Dies at 52
Kristoff St. John, the actor best-known for portraying Neil Winters on CBS’ long-running daytime soap “The Young and the Restless,” has died. He was 52.

His attorney Mark Geragos confirmed the news to Variety. Geragos also posted on Twitter, saying, “Few men had the unique strength, courage & sensitivity that @kristoffstjohn1 lived every single minute of every day. He impacted everyone he met and millions who he inspired and in turn admired him. On behalf of @MiaStJohnBoxer & @TheStJohnFamily thank you for all of your love.”

The Daytime Emmy Awards also noted St. John’s death via Twitter. “It is with unbelievable sadness that we say goodbye to our friend, #DaytimeEmmys winner @kristoffstjohn1. @YandR_CBS Rip.”

St. John received numerous awards, including nine Daytime Emmys, over the 25 years he worked on “The Young and the Restless.” His first major role on a soap opera was on NBC’s “Generations.” The show was canceled
See full article at Variety »

Weekend Menagerie: A Bull, A Bunny And A Go-rilla

Walt Whitman once said, ‘I see great things in baseball. It’s our game, the American game. It will repair our losses and be a blessing to us.’ You could look it up.” — Annie Savoy (Susan Sarandon) in Bull Durham

Bull Durham, Ron Shelton’s beloved ode to the piquant ambience and perhaps more elusive spirituality of baseball, especially the minor league variety, is staring down its 30th anniversary—the movie debuted on June 15, 1988, and upon its release almost instantly entered among the ranks of the best movies ever made about the game.

One of the things that made it seem so fresh in 1988, and why it doesn’t seem date or stale even now, is that Bull Durham dismantled over a decade of post-Rocky expectations as to what audiences wanted out of a sports movie—there are no big-game, all-or-nothing scenarios played out on the field, just comedy, disappointment,
See full article at Trailers from Hell »

Friday One Sheet: Piercing

This eye-catching design for the film adaptation of Murakami Ryu's 1994 novel, making its debut at Sundance, has a kind of Jack Davis sort of look. Davis, most famous for Mad Magazine, had a long good run on movie posters in the 1970s, including The Long Goodbye, The Bad News Bears, and It's A Mad, Mad, Mad, Mad World. Add in a border with rounded corners, textured yellow (yellow is often code-colour for indie-film) and the distressed poster look, which was kind of trendy in around 2007-2009, but has faded a way now enough that it is not offensive here. Throw in some blood splatters, a tiny rabbit, and is that the gimp from Pulp Fiction?    Ahhh, Sundance....

[Read the whole post on]
See full article at Screen Anarchy »

For The Postseason: Joe E. Brown As Alibi Ike

If you’re a baseball fan, particularly if you’re a Dodgers, Astros, Cubs or Yankees fan, the real baseball season started this past Friday with the inauguration of the American and National League Championship Series. I’m a Dodgers fan, which means I’m among that group who, arguably, have gone the longest without the satisfaction/excitement/nail-biting terror of seeing their team in the World Series, the next step for whoever wins in the Nlcs. The Dodgers last appeared in the World Series in 1988, capping a memorable run with a championship by beating the Oakland A’s. That was 29 years ago. The Cubs are the reigning Mlb champions, having won last year’s World Series after a 107-year drought. And the Yankees, a mainstay of the World Series around the turn of this century, last appeared in an October championship series in 2009.

The only team to come close
See full article at Trailers from Hell »

Clerks - an unlikely multimedia franchise

Mark Harrison Sep 28, 2017

How a 1994 indie hit from Kevin Smith gave birth to an unlikely franchise...

In 1993, Kevin Smith made a movie. Clerks was shot in black and white over the course of three weeks, at night, in the convenience store where Smith worked during the day, on a shoestring budget of $27,575. Smith funded the film himself by dipping into his savings, selling all his comics and maxing out several credit cards.

Even though it became an indie phenomenon when it was picked up by Bob and Harvey Weinstein's Miramax (who gave it a new soundtrack using a post-production budget that was ten times the cost of principal photography) at the 1994 Sundance Film Festival, it doesn't have 'franchise starter' written all over it.

Long considered a Gen X touchstone, Clerks is a funny and filthy slice of life movie, which equates a working day for Dante Hicks (Brian O'Halloran) to his namesake's Inferno.
See full article at Den of Geek »

Jackie Earle Haley discusses The Tick, Watchmen, and fighting injustice

Jackie Earle Haley has had a long, diverse career: his early voice work, his pivotal role as The Bad News Bears’ star player Kelly Leak, his turn as Rorschach in Zack Snyder’s adaptation of Watchmen, and most recently starring as The Terror in Amazon’s The Tick. More than his IMDb credits, he’s also a joy to be…

See full article at The AV Club »

Wild, Dangerous, Imperfect, Wounded Grandeur: 18 Double Features About America

The United States is “my country, right or wrong,” of course, and I consider myself a patriotic person, but I’ve never felt that patriotism meant blind fealty to the idea of America’s rightful dominance over global politics or culture, and certainly not to its alleged preferred status on God’s short list of favored nations, or that allegiance to said country was a license to justify or rationalize every instance of misguided, foolish, narrow-minded domestic or foreign policy.

In 2012, when this piece was first posted, it seemed like a good moment to throw the country’s history and contradictions into some sort of quick relief, and the most expedient way of doing that for me was to look at the way the United States (and the philosophies at its core) were reflected in the movies, and not just the ones which approached the country head-on as a subject.
See full article at Trailers from Hell »

Why 'Slap Shot' Captures the 1970s Better Than Any Other Sports Movie

Why 'Slap Shot' Captures the 1970s Better Than Any Other Sports Movie
Over the last few decades – thanks in part to movies and TV shows like Dazed and Confused, Boogie Nights, Anchorman and HBO's Vinyl – there’s been a pronounced pop cultural tendency to reduce the 1970s to little more than a fabulous parade of campy signifiers like mirrored disco balls, brightly-painted muscle cars, platform shoes, bellbottomed jeans, tube tops, Afro hairdos, pornstaches and piles of cocaine.

It's an understandable impulse, of course. (Who doesn't love Afros or piles of cocaine?) But taking such a superficial approach to the seventies means glossing over the grittier,
See full article at Rolling Stone »

Drive-In Dust Offs: The Island (1980)

Michael Caine had an interesting run of genre flicks starting in the late ‘70s. The Swarm (1978) was laughed off the screen, Dressed to Kill (1980) was enjoyed by audiences and critics alike, and The Hand (1981) dropped his batting average once again. Nestled in between all those was The Island (1980), a killer pirate movie from the author of Jaws and directed by the man behind The Bad News Bears. What could go wrong? Well, everything, according to most folk. It’s an odd one to be sure, but the wild tonal shifts that prevent the ship from staying on a clear course make it a fascinating treasure that gets better with each viewing.

Released in June by Universal, The Island had a surefire pedigree for success; the Jaws juggernaut of producers Zanuck and Brown and author Peter Benchley (here, adapting his own novel) promised a good time to be had by all.
See full article at DailyDead »

The Best of Movie Poster of the Day: Part 16

  • MUBI
Above: Mondo poster for The Graduate (Mike Nichols, USA, 1967); artist: Rory Kurtz; lettering: Jay Shaw.On my daily movie poster Tumblr I don’t make a habit of posting fan art or art prints—call them what you will—because I’m most interested in the intersection of commerce and art that is the theatrical movie poster. But I make an exception when something stands out, and nothing stood out last year quite like Rory Kurtz’s beautiful, elegant and unexpected Mondo illustration for The Graduate, which quite rightly racked up over 200 more likes than even its nearest competitor. But its nearest competitor was fan art too: a brilliant poster for Badlands by the insanely talented Adam Juresko, whose art poster for In the Mood for Love (featured in my Maggie Cheung article) was also in the top four. What makes art posters easy to like—beyond their extraordinary artistry
See full article at MUBI »

The Bad News Bears

Michael Ritchie’s 1976 comedy about a squad of underachieving Little Leaguers and their boozing coach (played by a rumpled Walter Matthau) is a bracing antidote to most of today’s carefully vetted family-friendly feel good films. Ritchie’s uniquely warmhearted but unsentimental take on his crew of misfits allows even the most peripheral of characters their own memorable moments. Rowdy, profane and, happily, avoiding the cheap theatrics of the triumphant finale usually found in sports films, The Bad News Bears is yet another wonderfully unruly example of the lost, lamented 70s cinema. Forty years later, The Daily News chats with cast and crew on the anniversary of Ritchie’s film.
See full article at Trailers from Hell »

Why 'Bad News Bears' Is the Greatest Baseball Movie Ever Made

Why 'Bad News Bears' Is the Greatest Baseball Movie Ever Made
For folks who loves both baseball and movies, it's incredibly sad that Hollywood's takes on our national pastime continually whiff with a frequency that makes Adam Dunn look like Joe Dimaggio. But 40 years ago today, a film was released that got everything beautifully, hilariously and even painfully right: The Bad News Bears. A tartly-scripted comic saga about a no-hope Little League team from L.A.'s San Fernando Valley, the film — directed by Michael Ritchie from an original screenplay written by Bill Lancaster — shocked and amused audiences with its unbridled
See full article at Rolling Stone »

Best Baseball Movies

In the midst of March Madness and with the Kentucky Derby around the corner, the first pitch of baseball season is almost here.

A quote from Field Of Dreams best describes America’s national pastime, “The one constant throughout the years has been baseball.”

To mark the start of the 2016 season, here’s our list of the Best Baseball movies.

The Bad News Bears

Considered by some to be the best baseball movie ever, the film celebrates its 40th anniversary this month (April 7, 1976). In an article from the NY Daily News, one line reads, “It is a movie that someone like the late Philip Seymour Hoffman called his favorite, and one which resonates on many levels today, with all different generations.”

Who are we to argue with greatness?

After skewering all-American subjects such as politics (The Candidate) and beauty pageants (Smile), director Michael Ritchie naturally set his sights on the
See full article at »

Race (2016) – The Review

Hollywood knows that one genre is almost certain to get the audience’s blood pumping and pulse racing: the sports story. Creed certainly proved that a few months ago (you’d think audiences were watching a real live boxing match, judging from the all the cheering at the multiplex). Couple that on-screen excitement with a dramatic true story, and you’ve hopefully got a critical and box office hit. And while professional sports may be tainted and tarnished thanks to bad behavior and big bucks, the amateur athletes still have a purity and nobility about them. There have been plenty of college (We Are Marshall), high school (Hoosiers), and even grade school (The Bad News Bears) team tales, but for individual triumphs, the four-year spectacle, the Olympics, abound in stories of glory and drama. Well 2016 just so happens to be an olympic year, so the studios are launching the first
See full article at »

Watch Anna Kendrick Act Out The History Of Sports Movies In 7 Minutes

Yesterday was a big day in America.s long history of watching other people compete in athletic contests. The only problem with actual sports is that sometimes the wrong team wins. We much prefer our sports in movies, where you can be virtually guaranteed that the right team will win almost every time. Another big fan of sports movies is talk show host James Corden who got some help from Anna Kendrick, Zac Efron, and Adam Devine as he ran through as many great sports movie scenes as possible as fast as they possibly could. Check it out. In the post-Super Bowl episode of The Late Late Show with James Corden, the host got some help from most of the cast of Mike and Dave Need Wedding Dates (apparently Aubrey Plaza was busy) for his seven-minute run through of everything from The Bad News Bears to the Rocky movies. Highlights
See full article at Cinema Blend »

Team Spirit: Zac Efron, Anna Kendrick, Adam DeVine & James Corden Act Out the Greatest Sports Movies in Seven Minutes

Team Spirit: Zac Efron, Anna Kendrick, Adam DeVine & James Corden Act Out the Greatest Sports Movies in Seven Minutes
Who needs the Super Bowl when you can watch every sports movie ever made in seven minutes? Zac Efron, Anna Kendrick and Adam DeVine stopped by The Late Late Show on Sunday night to help host James Corden reenact scenes from beloved sports movies in under seven minutes - and it was glorious, to say the least. The crew took the stage in front of a green screen to act out some of the greatest moments in sports movies, complete with outfit changes, various accents and of course, a ton of chaos. Getting ready for @latelateshow with @zacefron and @andybovine
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Watch James Corden, Anna Kendrick Recreate History of Sports Movies

Watch James Corden, Anna Kendrick Recreate History of Sports Movies
James Corden made appropriate use of his post-Super Bowl Late Late Show, recruiting Anna Kendrick, Zac Efron and Adam Devine to recreate the past four decades of sports movies in seven minutes.

The quartet open the clip with a salute to The Bad News Bears, with Corden channeling the grumpy little league baseball coach played by Walter Matthau. They segue into an eclectic variety of films – both classic (Field of Dreams, Rocky, Raging Bull) and lightweight (Space Jam, cheerleading romp Bring It On). Highlights include Kendrick referencing The Sandlot with the insult,
See full article at Rolling Stone »

Criterion Collection: Downhill Racer | Blu-ray Review

The Hollywood sports drama has long been an indubitable cinematic staple, albeit a genre trapped in its own particular movements and formulaic flourishes. Tendencies for melodramatic exaggerations are often utilized to enhance and manipulate our emotional investment in these depictions of physical glory, where everyman underdogs are transformed into American heroes due to the very nature of their conquests. But while these dramas prime our tear ducts for a rinse, they inadvertently miss out on the realistic human characteristics which assisted in its subject’s ability to beat all the odds. During Hollywood’s golden era of studio financed auteur projects, a short-lived movement credited to a number of classic titles ranging from the late 60s to the late 70s, director Michael Ritchie inducted two iconic titles into the sports subgenre canon, beginning with his 1969 directorial debut, Downhill Racer (the other being The Bad News Bears in 1976). Written by acclaimed
See full article at »
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