In the midst of a civil war, former violinists Jan and Eva Rosenberg, who have a tempestuous marriage, run a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.
Marianne, some thirty years after divorcing Johan, decides to visit her ex-husband at his summer home. She arrives in the middle of a family drama between Johan's son from another marriage and his granddaughter.
Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "... See full summary »
Two estranged sisters, Ester and Anna, and Anna's 10-year-old son travel to the Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka.
A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home. But he is an emotionally scarred man, a Jewish survivor... See full summary »
Max von Sydow
A sensitive exploration of the tragic irony of the psychiatrist suffering with mental illness. Dr. Jenny Isaksson is a psychiatrist married to another psychiatrist; both are successful in their jobs but slowly, agonizingly, she succumbs to a breakdown. Jenny is haunted by images and emotions from her past and eventually cannot function, either as a wife, a doctor or as an individual. Written by
Sujit R. Varma
The TV version is a four-part mini-series: 1. Uppbrottet (The Separation); 2. Gränsen (The Border); 3. Skymningslandet (The Twilight Land); 4. Återkomsten (The Return). A total of 176 minutes compared to the movie's 130 minutes (25 fps). See more »
Dr. Jenny Isaksson:
What do you mean by "real"?
Dr. Tomas Jacobi:
To hear a human voice and trust that it comes from a human who is made like me, to touch a pair of lips and at the same time know that it is a pair of lips.
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This movie is nothing short of of a masterpiece of dramatic power and psychological insight. If the mark of a great work of art is that it takes a lot out of you while at the same time giving you a lot, then "Face to Face" is a great film by one of the cinema's (and the theatre's) greatest directors.
During the 136-minute film we are confronted with the spectacle of an intelligent woman's soul being laid bare. It is the soul of Jenny Isakson (Liv Ullmann), a Stockholm psychiatrist, as she finds her confidently professional self-assured hold on the world slipping perilously into disarray. Liv Ullmann is of course no stranger to this type of intense Bergman role, from the mute actress of "Persona" to the defeated wife in the 1974 "Scenes form a Marriage" and in films like "Shame," "The Passion of Anna," and "Cries and Whispers." What a marvel!
For virtually the entire length of this harrowing piece, the actress is on screen, and she is such a mistress of her craft, one feels like reaching up to the screen to embrace and perhaps congratulate her. It is that kind of moving performance. The much-praised scene in which she tells Erland Josephson about an attempted rape she experienced has the intensity of an operatic aria as she shifts moods: bemused laughter, pleading sobs, hysterical abandon. It is hard to see the junctures between each emotion. They meld into an overwhelming emotional experience. This and the other collaborative efforts of Bergman and Ullman have very few parallels in the history of cinema. Some of them might be: Roberto Rossellini and Ingrid Bergman, Josef von Sternberg and Marlene Dietrich, G.W. Pabst and Louise Brooks, Federico Fellini and Giulietta Masina.
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