An enthusiastic filmmaker thinks he's come up with a totally original idea: animation set to classical music! When he is informed that some American named "Prisney" (or something) has already done it, he decides to do his own version, using an orchestra comprising mostly old ladies and an animator he's kept locked in a dungeon. Several different classical pieces are animated, while the animator plots his escape.
Andy Bogursky <firstname.lastname@example.org>
(don't let the name fool you)
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Did You Know?
Ward Kimball once called the "Bolero" sequence one of the greatest pieces of animation he had ever seen and would recommend it to students learning about the medium. See more
Since this film is a parody AND a cartoon, it's arguable whether anything can be legitimately considered a goof. However, at the end of the film, when the director sends Franceschini down to the archives, each time he pulls a finale off the pile the same animation is reused all three times. The effect is that Franceschini takes the same stage each time, only to have it reappear when he goes back for the next. See more
P:Ladies and gentlemen, you are about to see an unforgettable show, a film destined to become immortal, as immortal as the music which will follow, and which will be interpreted through animation. Beginning with his childhood fantasies, the greatest ambition that burns and swells in the soul of every creative animator is to illustrate music, to give visual form and color to its notes. With this film, we have finally succeeded in achieving this union of animation and classical ...
Si ringrazia il Comune di Bergamo di aver concesso il Teatro Donizetti per le riprese dal vero. [We thank the City of Bergamo for providing the Teatro Donizetti for the live-action filming.] See more
Referenced in Braindead
Prélude à l'après-midi d'un faune
Written by Claude Debussy See more