Charles Duchemin, a well-known gourmet and the publisher of a famous restaurant guide, is waging a war against fast-food entrepreneur Tri-Catel to save the French art of cooking. After ...
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Charles Duchemin, a well-known gourmet and the publisher of a famous restaurant guide, is waging a war against fast-food entrepreneur Tri-Catel to save the French art of cooking. After having agreed to appear on a talk show to show his skills in naming food and wine by taste, he is confronted with two disasters: his son wants to become a clown rather than a restaurant tester and he, the famous Charles Duchemin, has lost his taste.Written by
Robert Zeithammel <email@example.com>
Louis de Funès had had a heart attack one year earlier and this marked his return to movies. The ads were supposed to have only his name above the title with Coluche's name in the lower credits. It was de Funès himself who insisted that the posters should announce "De Funès et Coluche" above the title. See more »
When the two Duchemins have infiltrated Tricatel's factory and the shovel from the crane goes back up in the air, you can hear the motor sound of the crane as if they stood right beside it. However, the crane stands way outside the factory. See more »
I first saw "L'aile ou la cuisse" as a little kid, with my nose glued to the screen, and when I saw it again as a grown man, my children and grandchildren gathered around my feet, stroking my white beard and smoking a pipe, it was amazing how many of the jokes I could still remember verbatim. To me Louis de Funès is one of the greatest comedic actors, and I could sit for hours just watching a loop of him when he goes "Ooh!", his content "petit bonhomme" face exploding in a brief moment of heartfelt, yet premeditated rage; unfortunately he often squandered his talent in formulaic money makers such as the "Gendarme of St. Tropez" series (not that I wouldn't love those either, but they are more "good for a few laughs" than "must - see classic"). In "L'Aile ou la cuisse", finally, Funès talent is matched with a decent director and story line, allowing him to remain true to his schtick while gaining depth (not a lot, but just enough).
"L'aile ou la cuisse" is this type of film: if one day I should watch it and not find it funny anymore, then I know that it's time for me to leave this earth. Thank you Louis!
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