6.6/10
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In the Realm of the Senses (1976)

Ai no korîda (original title)
NC-17 | | Drama, Romance | 1 April 1977 (USA)
A passionate telling of the story of Sada Abe, a woman whose affair with her master led to a sexual obsession which then came to a violent end.

Director:

Nagisa Ôshima

Writer:

Nagisa Ôshima
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Cast

Cast overview, first billed only:
Tatsuya Fuji ... Kichizo Ishida
Eiko Matsuda ... Sada Abe
Aoi Nakajima Aoi Nakajima ... Toku
Yasuko Matsui Yasuko Matsui ... Tagawa Inn Manager
Meika Seri Meika Seri ... Matsuko (Yoshidaya maid)
Kanae Kobayashi Kanae Kobayashi ... Old geisha Kikuryû
Taiji Tonoyama ... Old Beggar
Kyôji Kokonoe ... Teacher Ômiya
Naomi Shiraishi Naomi Shiraishi ... Geisha Yaeji
Shinkichi Noda Shinkichi Noda
Komikichi Hori Komikichi Hori ... Mitsuwa Geisha
Kikuhei Matsunoya Kikuhei Matsunoya ... Hôkan jester
Akiko Koyama Akiko Koyama ... Mansaki Geisha
Yuriko Azuma Yuriko Azuma ... Mitsuwa Geisha
Rei Minami Rei Minami ... Mitsuwa Geisha
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Storyline

Based on a true story set in pre-war Japan, a man and one of his servants begin a torrid affair. Their desire becomes a sexual obsession so strong that to intensify their ardor, they forsake all, even life itself. Written by Allen Brown <browna@ohsu.edu>

Plot Summary | Add Synopsis

Taglines:

The most talked about film in the world today See more »

Genres:

Drama | Romance

Certificate:

NC-17 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Japan | France

Language:

Japanese

Release Date:

1 April 1977 (USA) See more »

Also Known As:

In the Realm of the Senses See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(original) | (2000 re-release) | (DVD) | (final) | (reconstructed version) (R-rated) (reconstructed)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.50 : 1
See full technical specs »
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Did You Know?

Trivia

Shot in Japan, the undeveloped film had to be shipped to France for development, due to Japan's strict censorship policies. See more »

Quotes

Sada Abe: Now what am I supposed to do?
Kichizo: You mustn't ask me. Aren't you the bride?
Sada Abe: But how should I know? I've never been married before.
See more »

Alternate Versions

The scene where the small boy has his penis pulled as punishment for misbehaving has been completely removed on the US Release Versions. (56 Seconds in total) See more »

Connections

Referenced in Fear, Panic & Censorship (2000) See more »

Frequently Asked Questions

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User Reviews

Good!!
15 November 2002 | by mgangadeenSee all my reviews

Nagisa Oshima has achieved what few other directors have managed in dealing with the very touchy subject of sex, in this instance, with sexual obsession. If you plan to watch this movie for a cheap sexual thrill, you will be most disappointed. Oshima has drawn from a real incident reported in a 1936 Japanese newspaper. The film centers around the love between two people expressed physically, graphically, into realms of the senses where few dare to tread. And with good reason. This is a very intense film as it progresses from the attraction of two people through increasing experimentation in an effort not only to express their passion but to try to find the outer most limits of passion itself. Oshima must have had something metaphorical in mind but the journey as chronicled in the film also has retained the feel of the specifics. It's quirkey and eccentric. The backdrop of the story is as interesting as the story itself. It is an amazing spectacle to observe, giving the viewer a perspective on Japanese life not usually rendered but often alluded to in some historical accounts. One wonders what this experience must have been like for the actors. Oshima has managed what I have always believed should be done in order to treat the subject of sex fully and without shrinking from its' less savory aspects. This is serious minded erotica and quite unlike anything else on screen. The only other film I can recall that compares at all is "Taxi Zum Klo" which was autobiographical and starred a number of actual people playing themselves.Obviously a different catagory in that regard from what is going on here, but both films draw much of their power from explicitly sexual scenes without compromising the integrity of the story being told. This is a film experience that should not be missed.


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