The son of the owner of a large Italian cheese factory is kidnapped, but as the factory is on the verge of bankruptcy the owner hatches a plan to use the ransom money as reinvestment in the... See full summary »
Set in Italy, the film follows the lives and interactions of two boys/men, one born a bastard of peasant stock (Depardieu), the other born to a land owner (de Niro). The drama spans from 1900 to about 1945, and focuses mainly on the rise of Fascism and the peasants' eventual reaction by supporting Communism, and how these events shape the destinies of the two main characters.Written by
Ed Sutton <email@example.com>
Bernardo Bertolucci himself cut the three and a half hour version that was originally shown internationally, which he did to appease the studios and financiers, who wanted to use an even shorter cut, that was never released. He still says he prefers the original five hours and seventeen minute cut. His main complaint with the international release, was the English title "1900". With the original title "Novecento", he meant to imply a tale of the twentieth century. See more »
In the movie, Olmo is depicted as coming back from World War One, while Alfredo, even though conscripted, manages to stay at home thanks to his father's connections. In reality, people born in 1901 (like Olmo and Alfredo) were never conscripted to fight in the war, as they were only 17 when it ended in November 1918. The last ones to be conscripted in Italy where those born in 1899. See more »
[all three are lying naked in bed: Alfredo takes a glass of wine]
Drink some wine, eh?
[pushes the glass away]
No, please, no.
[looks annoyed at Alfredo's persistence]
She doesn't want it.
[forces the wine into her mouth]
Drink, you little whore.
[Neve swallows, but soon goes into a seizure]
[realization appears on his face]
Oh no, she's an epileptic!
See more »
Original Italian version is 311 minutes long and was released as two separate films (Novecento, part 1 & 2). US R-rated version is 243 minutes long and deletes several scenes, including an explicit one in which a prostitute masturbates Robert De Niro and Gérard Depardieu. A restored integral version was re-released in the USA in 1993 with a NC-17 rating. See more »
Novecento is the Gone With The Wind of Italian cinema with enough American stars and one French one to make sure of its international market. It has the epic feel of Gone With The Wind, you can also compare it to any number of films based on Edna Ferber novels. It begins at the beginning of the 20th century in Northern Italy with the birth of two boys on the same day. One is the grandson of the local Padrone, Burt Lancaster who grows up to be Robert DeNiro. The second is the illegitimate grandson of the head man among the workers on Lancaster's estate, Sterling Hayden and the boy grows up to be Gerard Depardieu. This had to be Northern Italy or no one would have believed Gerard's baby blues in Sicily or Calabria.
Despite the difference in class which Americans have trouble comprehending, but as Marlon Brando said in The Young Lions mean a great deal in Europe, the boys grow up to be friends. But it's not only politics that pushes them apart, it's the love of Dominique Sanda. She marries DeNiro, but he can't believe she's not get a yen for Depardieu.
Like Gone With The Wind with the Civil War and Reconstruction, Novecento is set in the period from 1900 to 1945 which were tumultuous years for Italy. Until 1870 Italy was a geographical expression not a country, until the Pope surrendered sovereignty of the Papal States. Like Germany which also united at the same time it now wanted to be recognized as a leading power, Italy even got into the colonial game in Africa. Unlike every other European power it met defeat at Adowa when trying to takeover Ethiopia. That too had a major impact on the Italian psyche, something Bernard Bertolucci curiously enough did not mention.
He concentrated on the age old grievances of peasants against the landlords and the internal problems it was bringing Italy. Abusive landlords and the peasants they controlled, a feudal system that was badly out of date in the industrial age which came to Italy, a bit late, but there in time to throw a lot of peasants off the land and make socialists and communists of them. The gentry, the growing middle class, the church responded in kind with its own counterrevolution, Fascism.
In fact the film's villain is Donald Sutherland as a Fascist overseer that DeNiro hires and who basically takes over running the estate and politics of the locality. This is one of Sutherland's best screen performances, he will chill you to the bone with his cruelty and arrogance. He's essentially a thug who's been given political power.
Running a close second is Laura Betti as DeNiro's sister who marries Sutherland and becomes a true believer in the Fascist cause. At least she sees the peasant discontent and believes Fascism will protect her privileged position.
The original running time of this epic is over five hours and really should have been a mini-series. Maybe in that format we'll see the director's cut some day. It's still a powerful piece of film telling the epic story of a country for almost half a century.
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