7.7/10
20,083
103 user 56 critic

1900 (1976)

Novecento (original title)
Unrated | | Drama, History | 4 November 1977 (USA)
The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

Writers:

Franco Arcalli (screenplay by), Giuseppe Bertolucci (screenplay by) | 1 more credit »
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Popularity
3,606 ( 69)

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2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robert De Niro ... Alfredo Berlinghieri
Gérard Depardieu ... Olmo Dalcò (as Gerard Depardieu)
Dominique Sanda ... Ada Fiastri Paulhan
Francesca Bertini ... Sister Desolata
Laura Betti ... Regina
Werner Bruhns Werner Bruhns ... Ottavio Berlinghieri
Stefania Casini ... Neve - Epileptic Woman
Sterling Hayden ... Leo Dalcò
Anna Henkel-Grönemeyer ... Anita the Younger (as Anna Henkel)
Ellen Schwiers ... Amelia
Alida Valli ... Signora Pioppi
Romolo Valli ... Giovanni Berlinghieri
Bianca Magliacca Bianca Magliacca ... Peasant Woman
Giacomo Rizzo Giacomo Rizzo ... Rigoletto
Pippo Campanini Pippo Campanini ... Don Tarcisio
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Storyline

Set in Italy, the film follows the lives and interactions of two boys/men, one born a bastard of peasant stock (Depardieu), the other born to a land owner (de Niro). The drama spans from 1900 to about 1945, and focuses mainly on the rise of Fascism and the peasants' eventual reaction by supporting Communism, and how these events shape the destinies of the two main characters. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

Europe's most important, powerful and forceful motion picture ever...! See more »

Genres:

Drama | History

Certificate:

Unrated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | France | West Germany

Language:

Italian

Release Date:

4 November 1977 (USA) See more »

Also Known As:

1900 See more »

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Box Office

Budget:

$9,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(heavily cut) (R-rated) | (2 parts) | (heavily cut) | (heavily cut) | (Part I) | (Part II)

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Robert De Niro was thought to have been miscast as an Italian nobleman in a historical setting. See more »

Goofs

As Attila Mellanchini is shot by the communist partisans on VE Day, a close-up is shown of a man's hand holding the pistol to Attila's head. The pistol in his hand is a Beretta M951, which only began production circa 1953 - eight years after the war ended. See more »

Quotes

Attila Mellanchini: That's not a pussycat, that's a communist!
See more »

Alternate Versions

Among a dozen or so scenes that were extended in "versione integrale", there are a number of new scenes featuring:
  • Longer shot of the boy dying in the very beginning
  • Berlinghieri digging the wine out of the cellar before serving it to the peasants
  • After Elma tells everyone of Berlinghieri's suicide, the crowd rejoices and dances
  • The first scene with Attila is extended into a speech
  • Graphic scenes of the mutilation of pigs is extended
  • After Regina taunts Ada with keys to the wine, Ada pours wine over Regina's head
  • Olmo's closing speech is longer
See more »

Connections

Featured in At the Movies: Ennio Morricone in Conversation (2012) See more »

Frequently Asked Questions

See more »

User Reviews

 
A long and good picture
5 December 2003 | by miguelvitorinoSee all my reviews

One of the most perfect historic contemporary pictures ever made. Wonderful performances of the actors Robert de Niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. This film tells us a story of two mans (Alfredo and Olmo) born in the same day back in the beginning of the twentieth century - Alfredo is a landowner, Olmo is a peasant- and their relation with friendship, love, politics. ( I think this is a film about how friendship can be true in a cruel half century that was the fist half os the "novecento").

There is a Marxist view about life and about cinema itself in this Bertolucci film: the two main characters, Alfredo and Olmo, symbolize the strike between the two classes of the capitalism - the high bourgeosie that owns the land where live the proletarian. The picture tries to prove that their lives are different in the way that their different social condition can interfere. In the beginning Alfredo and Olmo are very close, because they are only child. Alfredo tries to be like Olmo. He sees in his friend the freedoom that he hasn't. He wants to be a socialist.

I recommend this picture to all who like good cinema.


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