1900 (1976)

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

Director:

Bernardo Bertolucci

Writers:

Franco Arcalli (screenplay by), Giuseppe Bertolucci (screenplay by)

Stars:

Robert De Niro, Gérard Depardieu, Dominique Sanda

2 wins & 4 nominations.

Cast

Cast overview, first billed only:
Robert De Niro	...	Alfredo Berlinghieri
Gérard Depardieu	...	Olmo Dalcò (as Gerard Depardieu)
Dominique Sanda	...	Ada Fiastri Paulhan
Francesca Bertini	...	Sister Desolata
Laura Betti	...	Regina
Werner Bruhns	...	Ottavio Berlinghieri
Stefania Casini	...	Neve - Epileptic Woman
Sterling Hayden	...	Leo Dalcò
Anna Henkel-Grönemeyer	...	Anita the Younger (as Anna Henkel)
Ellen Schwiers	...	Amelia
Alida Valli	...	Signora Pioppi
Romolo Valli	...	Giovanni Berlinghieri
Bianca Magliacca	...	Peasant Woman
Giacomo Rizzo	...	Rigoletto
Pippo Campanini	...	Don Tarcisio

Storyline

Set in Italy, the film follows the lives and interactions of two boys/men, one born a bastard of peasant stock (Depardieu), the other born to a land owner (de Niro). The drama spans from 1900 to about 1945, and focuses mainly on the rise of Fascism and the peasants' eventual reaction by supporting Communism, and how these events shape the destinies of the two main characters.

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Plot Keywords:

class struggle | boy frontal nudity | male full frontal nudity | world war two | peasant | 

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Taglines:

From the cradle to the grave - victims of history and change!

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Genres:

Drama | History

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Certificate:

Unrated

Details

Country:

Italy France West Germany

Language:

Italian

Release Date:

4 November 1977 (USA)

Also Known As:

1900

Filming Locations:

Busseto, Parma, Emilia-Romagna, Italy

Box Office

Budget:

$9,000,000 (estimated)

Company Credits

Production Co:

Produzioni Europee Associate (PEA), Les Productions Artistes Associés, Artemis Film

Technical Specs

Runtime:

245 min (heavily cut) (R-rated) 317 min (2 parts) 250 min (heavily cut) 248 min (heavily cut) 162 min (Part I) 154 min (Part II)

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

Donald Sutherland got so upset after seeing his own performance as the sadistic homicidal fascist leader Attila, that he was unable to watch the film for years.

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Goofs

In the movie, Olmo is depicted as coming back from World War One, while Alfredo, even though conscripted, manages to stay at home thanks to his father's connections. In reality, people born in 1901 (like Olmo and Alfredo) were never conscripted to fight in the war, as they were only 17 when it ended in November 1918. The last ones to be conscripted in Italy where those born in 1899.

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Quotes

Olmo Dalco: [leading a procession with Anita down a street in the early morning] Wake up! Wake up and come out!
Anita: [announcing the deaths of seven elderly Communists by arson] All of them murdered by the Fascists! Murdered by the Fascists!

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Connections

Featured in At the Movies: Ennio Morricone in Conversation (2012)

User Reviews

A beautiful European achievement with Hollywood stars.

The cast list alone is fabulous:Burt Lancaster, Sterling Hayden, Robert De Niro, Donald Sutherland, Gerard Depardieu, the best of Italian artists, the incandescent Dominque Sanda, at her prime. The production team: Bertolucci as director, the DOP is Storaro, the music by Ennio Morricone. How much would such a production cost today? $100 million? $200 million? How could you fail with such a line up? Well the film was long, and there were several versions around. It played at art houses in two parts. It was a co-production, (always an ominous sign) still there isn't a DVD available. (Although I saw a laser disc version in Jakarta some 7 years ago which I taped). Is the film beautiful? Yes. Does it sound wonderful? Yes. Does it deal with large important themes across generations? Yes. So how come it doesn't knock everybody's socks off? It should, that much I believe. Its themes of socialism/communism versus fascism across 50 years or so of Italian history don't sit well with American audiences. The two political systems are personified by two sons of the estate, one rich, one poor.Such a subtle (Or not if you are from North Zanesville)device is difficult to reconcile if you are used to a hamburger menu. Many audiences want a such a simple menu- a guy falls in love, gets married, the mob kill her, he takes revenge and kills the mob. Life is a hamburger. But we in Europe know that Life is not like that, it comes with grey areas, imperfections, flaws,nuances.

So the first disagreement is about politics. The second is the length of the movie; what actually are you watching, and where can you get the real longest possible version? That again nobody seems to know. The third is the lack of a DVD. That would make money and re-establish the film as a classic among the video stores to all the believers and make a new audience fall in love with this flawed masterpiece. Flawed, but still a masterpiece. So many people have not heard about it, so they don't know any better. There are some staggeringly beautiful shots that have lingered in my mind for 28 years- pure Storaro, many shot in golden hour- the boy with frogs in his hat, the countryside estate,the hunchback jester moaning about the death of Verdi,all accompanied by a typical Morricone oboe-driven melody with great intelligence and pride. Bravissimo!