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The Yakuza (1974)

American private-eye Harry Kilmer returns to Japan to rescue a friend's kidnapped daughter from the clutches of the Yakuza.

Director:

Sydney Pollack

Writers:

Paul Schrader (screenplay), Robert Towne (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
Robert Mitchum ... Harry Kilmer
Ken Takakura ... Tanaka Ken
Brian Keith ... George Tanner
Herb Edelman ... Wheat
Richard Jordan ... Dusty
Keiko Kishi Keiko Kishi ... Eiko (as Kishi Keiko)
Eiji Okada ... Tono (as Okada Eiji)
James Shigeta ... Goro
Kyôsuke Machida Kyôsuke Machida ... Kato
Christina Kokubo Christina Kokubo ... Hanako
Eiji Gô Eiji Gô ... Spider (as Go Eiji)
Lee Chirillo Lee Chirillo ... Louise
M. Hisaka M. Hisaka ... Boyfriend
William Ross William Ross ... Tanner's Guard
Akiyama Akiyama ... Tono's Guard
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Storyline

Harry Kilmer returns to Japan after several years in order to rescue his friend George's kidnapped daughter - and ends up on the wrong side of the Yakuza, the notorious Japanese mafia... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Plot Synopsis

Taglines:

Separated by blood and centuries - United by a Woman - Now, hurled together against the Yakuza . . . brotherhood of the East. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Japan

Language:

English | Japanese

Release Date:

21 December 1974 (Japan) See more »

Also Known As:

The Yakuza See more »

Filming Locations:

California, USA See more »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Lee Marvin was scheduled to star with Robert Aldrich as director. When Robert Mitchum replaced Marvin, he forced out Aldrich. Replacement director Sydney Pollack briefly considered Robert Redford for the lead role. See more »

Goofs

The plane that Kilmer is boarding at the end of the film is a Boeing 707, the one shown taking off in the last scene is a 727. See more »

Quotes

Dusty: That guy doesn't like you.
Harry Kilmer: No, not much.
Dusty: So how come you figure you can trust him?
Harry Kilmer: Giri.
Dusty: Gitty?
Harry Kilmer: Giri. Obligation.
Dusty: You mean he figures he owes you something?
Harry Kilmer: Yeah, sort of.
Dusty: Well, that can work two ways, Kilmer. If you ain't alive tomorrow, he don't owe you shit.
See more »


Soundtracks

Only the Wind
Japanese Lyrics Yû Aku (as Aku Yu)
Composed by Dave Grusin
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User Reviews

 
Powerful and melancholy
20 December 2001 | by henri sauvageSee all my reviews

A neglected classic of 70s film-making, this is perhaps the most "Japanese" movie ever made by a non-Japanese. The story is rich and multi-layered, featuring not one but two sets of star-crossed lovers in a brilliant and melancholy examination of contrasting themes of memory, secrets and betrayal, friendship, honor and obligation. The script is both literate and intricate; the characters' motives are almost always obscure until another layer of deception is stripped away.

Only Robert Mitchum could have done justice to the role of Harry Kilmer, a retired detective returning to Japan for the first time in many years to rescue his old Army friend Tanner's daughter, who has been kidnapped by the Yakuza in a dispute over a debt Tanner owes them. When Kilmer arrives in Japan, he seeks out Ken, the brother of his ex-lover Eiko (played by the astoundingly lovely and talented Kishi Keiko). Ken is a lone wolf, an ex-Yakuza who now runs a martial arts school, and though there is obviously no love lost between the two, Kilmer knows Ken carries an obligation to him for rescuing Eiko and her infant daughter in the early days of the Occupation.

Kilmer is still bitter about the past, deeply wounded by his love for Eiko, who would not marry him even though she loves him deeply. This was the reason why he left Japan and never meant to return.

Now, with Ken's reluctant help, he rescues Tanner's daughter, but this only leads to an intensifying spiral of tragic consequences, because nothing is quite what it seems. Only when Kilmer begins to understand the truth of the situation is he able to act constructively.

Everyone in this film, from Brian Keith to Herb Edelman to Richard Jordan (in one of his first starring roles) turns in a first-rate performance. James Shigeta and Christina Kobuko also deserve honorable mention. But it is Mitchum and Takakura Ken who make this movie.

This is not an action film in the sense of later -- and far inferior -- efforts like "The Challenge" and "Black Rain", though there are scenes of intense and graphic violence. Nor does it have a happy ending, although some of the characters do ultimately find redemption and a hope of reconciliation.

"The Yakuza" is a work that deserves a much larger audience, one which will totally engage a thoughtful viewer with its universal themes worked out against the background of a very different culture, with its own mindset and traditions. I give it my highest recommendation.


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