It's the mid-nineteenth century. Adult siblings Felix Young and Eugenia Munster were born and raised in Europe and have a somewhat bohemian lifestyle reflective of their travels throughout ... See full summary »
The story of a family troupe of English actors in India. They travel around the towns and villages giving performances of Shakespearean plays. Through their travels we see the changing face... See full summary »
This fictionalized story, based on the family life of writer James Jones, is an emotionless slice-of-life story. Jones here is portrayed as Bill Willis, a former war hero and now successful... See full summary »
On the anniversary of her father's death, an Indian princess (Madhur Jaffrey) celebrates his memory in her London apartment by having tea and showing a selection of home movies to her guest... See full summary »
Lucia Lane, an English writer by way of the US, arrives in Bombay to watch the filming of one of her novels. She's nearing middle age, she's had several husbands, she's lonely and ... See full summary »
Britain's top pop artiste, Tom Pickle, travels to Bombay, India, circa 1960s to learn to play the sitar (musical instrument) from renowned maestro Ustad Zafar Khan. Tom is taken to Zafar's ... See full summary »
An aging silent movie comic star tries for a comeback by staging a wild party that turns into a sexual free-for-all. The comic ends up killing his mistress and her latest boyfriend.Written by
The part played by James Coco is partly inspired by the silent-film star Roscoe 'Fatty' Arbuckle who had been accused of raping and accidentally killing bit player Virginia Rappe during a party he threw on Labor Day weekend of 1921. Coco's role was inspired by Arbuckle's work. But the movie had nothing to do with the Arbuckle/Rappe case. See more »
[All goofs for this title are spoilers.]
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He was the first guy who was interested in what I thought. Which is more than you are, Mr. Morrison.
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The famous poem of the 1920s becomes an ambitious meeting of American International and Merchant-Ivory, who sink into a most un-Merchant-Ivory-like Hollywood orgy in this tale suggested by, but not actually dramatizing, the Fatty Arbuckle scandal that ruined his career. With a screenplay and songs by Broadway songwriter Walter Marks, it seems to lick its lips at all prospects for lasciviousness, reveling in the bare breasts and spent drunken bodies the morning after. The songs are OK, and James Coco's excellent, carefully indicating the conflicting warmth, selfishness, and desperation in Jolly Grimm. But Raquel Welch feels anachronistic, not convincingly of the Twenties, and her singing and dancing are at best proficient. It's a messy movie, the plot threads not really hanging together, and the trendy camera-work belongs to 1975 and 1975 only. Let's call it an interesting failure.
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