W. Bright (Burt Reynolds) is a robber with a heart of gold who travels the South knocking off banks and gas stations owned by a corrupt businessman. When he hijacks a car, he meets an aspiring country band, the Dixie Dancekings, led by Dixie (Conny Van Dyke). The two sides eventually take a liking to one another, especially after the Dancekings realize the size of Bright's thefts. Trailed by ...
See full summary »
New York private eye Shamus McCoy likes girls, drink and gambling, but by the look of his flat business can't be too hot. So an offer of $10,000 to finds some diamonds stolen in a daring ... See full summary »
W.W. is a happy-go-lucky crook who makes his living robbing gas stations through the drive-up windows. The Dixie Dancekings are a country music band trying to get their first big break. W.W. crosses paths with the Dixie Dancekings when he hijacks their car (and them) to help him rob a bank. At first, the band resists. However, when they discover how much money they make, they begin helping out voluntarily in order to finance their big break. At the same time, W.W. takes a liking to them and uses his natural charm and smooth-talking ways to help them start down the road to stardom.Written by
Back in 1957, sweet-talking W.W. lived in a '55 Olds, loved bubble gum, Errol Flynn, country music, fried chicken, robbing filling stations, and a girl named Dixie. Not necessarily in that order. See more »
The movie is set in 1957, but near the end of the movie James Hampton's character is reading a "Plastic Man" comic book from the 1960s (that specific Plastic Man DC comic was issued from 1966-1968) See more »
[Dixie and WW are in the back seat of a car at a Drive-in movie, where an Errol Flynn flick is playing; WW pops up to watch the screen]
What's the matter? Are you queer or somethin'?
No, but if I was queer, that's
[pointing at Flynn]
who I'd be queer FOR.
See more »
Easygoing down-home film comes really alive in second half
In some ways, this is two different movies. Burt and Jerry getting back to their roots with Connie and the girls putting together the act and doing a bucolic type of road movie. The first part of the movie works well because of their chemistry with each other & with Conny Van Dyke.
Then Art Carney takes over the film, the pace quickens, wry humor and conflict push the down-home charm to the back burner. That's okay because Carney is on his game and delivers a terrific performance as a self-righteous and determined lawman. And, Burt seems to turn his energy up two notches when Carney shares the screen with him.
And, without giving anything up, they saved the best for last. The ending of this one is an all-time classic.
7 of 8 people found this review helpful.
Was this review helpful to you?
| Report this