Three people rob a bank to help a day care center that's in debt. Wolf is captured, Werner identified, police suspect Christa is the third. She and Werner ask Hans, a clergyman, to launder ... See full summary »
Margarethe von Trotta
Sisters Maria and Anna live together. Maria is a most proficient executive secretary, encouraging Anna to finish her studies and start a career. Anna broods, threatens to quit university, ... See full summary »
At a boarding school in the pre-war Austro-Hungarian Empire, a pair of students torture one of their fellow classmates, Basini, who has been caught stealing money from one of the two. The ... See full summary »
Laschen, a German journalist, travels to the city of Beirut during the fights between Christians and Palestinians to produce an essay about the situation. Together with his photographer, he... See full summary »
When Edith Howland's husband abandons her for a younger woman, leaving her with their alcoholic son and his senile uncle, she begins recording details of an imaginary, much more successful ... See full summary »
Hans W. Geissendörfer
Leopold von Verschuer
Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly ... See full summary »
Margarethe von Trotta
A divorced woman in her thirties fights a losing battle in Munich to attain belated self-fulfillment. The die is cast in a briskly impersonal society geared to male dominance and early training for career women.
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie ... See full summary »
Katharina Blum is a young handsome German maid. She meets Ludwig, and they fall in love at once. They spend the night together. In the morning, the police bursts in her flat, looking for Ludwig : he is a terrorist. But he was no longer here. Katharina is arrested, humiliated, suspected to be a terrorist herself, dragged in the mud by the newspapers... A plea for democracy and individual rights.Written by
The crew is visible in the reflection of the glass of a telephone booth See more »
The shots that killed Werner Tötges didn't hit him alone. They were aimed at Freedom of the Press, one of the most precious values of our young Democracy. And these shots - for us who stand here in grief and horror - they strike us. Just as they struck him. Who doesn't feel the wound? Who doesn't feel the sorrow above and beyond one's personal concerns? Who doesn't feel the breath of terror, the savage of anarchy, the violence which is undermining the foundations of our liberal-democratic order...
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The legal disclaimer reads as follows: 'Personen und Handlung sind frei erfunden. Sollten sich bei der Schilderung gewisser journalistischer Praktiken Aehnlichkeiten mit den Praktiken der BILD-Zeitung ergeben haben, so sind diese Aehnlichkeiten weder beabsichtigt noch zufaellig, sondern unvermeidlich.' (Characters and plot are purely fictitious. Similarities with journalistic practices of the newspaper "BILD" are neither intended nor coincidental, but inevitable.) This is a direct quote from the introduction to the original novel by Heinrich Böll. See more »
It's funny, but the recent Criterion DVD release of "The Lost Honor of Katharina Blum" gives it a whole new perspective. Next to "The Legend of Rita", "Lost Honor" is almost like "Rosencrantz and Guildenstern are Dead". But in this case, it's dead serious.
Katharina Blum is a normal German woman who has a one-night state with a man she meets at a party. Later, she finds out that he is an anarchist and part of a Baader-Meinhoff-type gang; the group Rita from "Legend of Rita" is supposed to be a member of.
Responding to the activities of German urban guerrillas, there is a national dragnet to hunt them down. Blum is arrested and gets caught up in the hunt, revealing a myopic government at it's most abusive. Equally revealing is the insidious nature of the media and it's role in repression. You can't help but get a chill watching it not because you can't believe it ever happened. But because you can't believe it happens all the time. Life in America is a lot like Katharina Blum's for many people.
Schlöndorff is an intellectual. Both of these films are great reflections of that. They're smart, challenging while being well paced and lithe. "Lost Honor" marked the directorial debut of Margarethe Von Trotta (in some ways a protégé of Schlöndorff's not to mention lover) who would go on to great things including "Rosa Luxembourg".
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