A ruthless pirate captures the keeper of a lighthouse, in the most southern city in Argentina. His goal is obvious and horrific. He plans to control the lighthouses signals in a way that the passing ships will be crushed on the rocks.
One by one members of a special project team are being killed by telekinesis - the ability to move things with the power of the mind alone. The race is to determine which of the remaining team members is the murderer and how to stop them.
Young Cheryl moves into her estranged aunt Martha's rundown King Edward Hotel. One of its offbeat residents, disturbed photographer George, takes special interest in her. Cheryl begins suspecting that a resident was murdered.
Only a few people still live in New York City in 2012. They are organized in gangs with their own turfs. One of them is led by Baron, another one by Carrot, and they are constantly at war with each other. Baron's gang is more peaceful and have developed seeds that can germinate despite the virus plague. The lone ranger Carson is hired by Bishop for protection.Written by
From Robert Clouse, the director who brought us the absolutely classic, Enter The Dragon, comes this post apocalyptic tale starring none other than Yul Bryner. Shall we dance indeed! Wow, sounds good so far eh? Well, as it happens it is rather and benefits immeasurably by its fine casting, especially the always superb Max Von Sydow, here playing a character called the Baron, leader of a commune of survivors trying desperately to survive in this harsh new world. As was later to become a staple plot in the plethora of post apocalyptic flicks which were to follow this in the early 1980's, not only is there unease and warring factions within the commune itself, but outside even more hostile groups are forever plotting to wipe out their neighbours. In this instance, a particularly nasty group headed by a chap called Carrot(!) (played by perennial bad boy, William Smith) are the antagonists. As a result of the mounting pressure, The Baron hires lone warrior Carson (Bryner) to help protect them and in a more secretive plan, to have him lead his daughter and her horticultural expert husband to safety, far away from the ravages of the doomed city.
Whilst best remembered for his action output, Clouse was actually a very gifted visual director and here manages to convey some particularly effective scenes of desolation (the visuals over the opening credits carry an especial air of sorrow and emptiness, depicting the end of civilisation).
Action wise, despite his mature years at the time of filming, Bryner is on fine form here as he demonstrates during the fair number of fight scenes contained within. Special mention to, for the rather shocking decision he makes during his final confrontation with his nemesis, a sure illustration of the old motto, 'Desperate times call for desperate measures.'
Overall, whilst not nearly as exhilarating as some of Clouse's other works such as Enter The Dragon and Black Belt Jones, this is a fascinating film that deserves far more recognition that it presently owns. For fans of the whole post nuke/post apocalyptic genre which was so huge following Mad Max, this is well worth checking out.
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