| Cast overview, first billed only: | |||
| Josef Köstlinger | ... | Tamino | |
| Irma Urrila | ... | Pamina | |
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Håkan Hagegård | ... | Papageno |
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Elisabeth Erikson | ... | Papagena |
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Britt-Marie Aruhn | ... | Första damen |
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Kirsten Vaupel | ... | Andra damen |
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Birgitta Smiding | ... | Tredje damen |
| Ulrik Cold | ... | Sarastro | |
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Birgit Nordin | ... | Nattens Drottning |
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Ragnar Ulfung | ... | Monostatos |
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Erik Sædén | ... | Talaren |
| Ulf Johansson | ... | Andra prästen | |
| Gösta Prüzelius | ... | Första prästen | |
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Jerker Arvidson | ... | Vakt i Prövningens Hus |
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Hans Johansson | ... | Vakt i Prövningens Hus |
A production of Wolfgang Amadeus Mozart's opera "The Magic Flute" is presented, this film which blurs the lines of it as a stage production - not only with aspects of the theater stage shown, but also the occasional shot of the audience members watching it, and the performers going through their backstage routines during intermission - and a movie as the set moves out from the confines of the stage. The actual story concerns Tamino, a prince, falling in love with Pamina solely from seeing her photograph, Pamina's mother, the Queen of the Night, vowing that Pamina will be his if he rescues her from Sarastro, a demon who has captured her. On behalf of the Queen, three of her attendants, "ladies", who saved Tamino from a serpent, provide him with a magic flute to entice Pamina, and three child angels, who will act as his guides. The ladies also dispatch the pan-flute playing Papageno, a bird catcher who laments not being married himself, with Tamino, they providing him with magic bells ... Written by Huggo
The Queen of the Night (Birgit Nordin) offers his daughter Pamina (Irma Urrila) to Tamino (Josef Köstlinger), but he has to bring her back from her father and priest Sarastro (Ulrik Cold). She gives a magic flute to Tamino and magic bells to the bird hunter Papageno (Håkan Hagegård), who follows Tamino and wants to find a wife. The duo travels in a journey of love and knowledge.
Ingmar Bergman's adaptation of the last opera of Mozart to the cinema is a homage of the master to the opera and theater. Sang in Swedish and divided in three parts, Bergman shows faces of the audience in the overture (I particularly did not like this part); the first act; the intermission, showing the backstage; and the second and last act. The cast in general is very beautiful, highlighting the singer Irma Urrila. My vote is seven.
Title (Brazil): "A Flauta Mágica" ("The Magic Flute")