In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
In 1926 the tragic and untimely death of a silent screen actor caused female moviegoers to riot in the streets and in some cases to commit suicide - that actor was Rudolph Valentino. ... See full summary »
Nora Walker is told that her British fighter pilot husband is missing in action and presumed killed in World War II. On V.E. Day, Nora gives birth to their son, who she names Tommy. While Tommy is an adolescent, Nora marries Frank, a shifty camp counselor. Shortly thereafter, Tommy suffers an emotionally traumatic experience associated with his father and step-father, which, based on things told to him at that time, results in him becoming deaf, dumb and blind, a situation which several people exploit for their own pleasure. As Nora tries several things to bring Tommy out of his psychosomatic disabilities, Tommy, now a young man, happens upon pinball as a stimulus. Playing by intuition, Tommy becomes a pinball master, which in turn makes him, and by association Nora and Frank, rich and famous. Nora literally shatters Tommy to his awakening, which ultimately leads to both the family's rise and downfall as people initially try to emulate Tommy's path then rebel against it.Written by
The only film ever to be released using John Mosely "Quintaphonic Sound" system. This used three of the four audio tracks on a CinemaScope-type 4-track magnetic striped print, two of these were expanded by a Sansui QS quadraphonic decoder to provide for left and right front, and left and right back speakers. The third channel fed the screen-center speaker. In addition all three tracks used dbx noise reduction. Quintaphonic sound was never used again because it required expensive striped prints and was commercially eclipsed by the Dolby Stereo system which employed low-cost optical sound prints. Dolby Stereo launched in 1975 with another Ken Russell film - Lisztomania (1975) See more »
During the scene at the amusement park in the "Amazing Journey" sequence, young Tommy can clearly be seen laughing while seated on one of the whirling rides. This is incorrect, as Tommy is supposed to be completely unresponsive to his surroundings. See more »
These pricey deals don't teach us. Your freedom doesn't reach us. Awareness doesn't shape us. Enlightenment escapes us. How can all this trivia take us to the goal you reached? We came here to be like you, find the world you preach.
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The first shot in the "Acid Queen" song scene was omitted from the original 1982 VHS version of the film. See more »
My older brother bought an LP The Who's "Tommy" in the 60's. I was very young but I liked it. It was a project ahead of its time. In the 70's I had a fantastic music teacher who played music soundtracks of several rock artists for my class, included was The Who's Tommy which I remembered immediately. Three years later, this movie came out directed by Ken Russell. I didn't get it at all. I loved the new soundtrack, still do. I loved the performances in the movie by Elton John and Tina Turner. But as a young teen, the movie I didn't get. Well, 20 years went by and on cable I saw Tommy again. This time, I got it. I understood what Ken Russell's vision was and for 1975 it was WAY ahead of its time. It is, in fact, a brilliant masterpiece of 20th Century pop culture: a brave, warped and cartoon mixture of sex, violence, war, religion and celebrity worship with the backdrop of one heck of a rock opera and story by The Who but focusing on the burning questions...what IS the central focus in our lives? Do we choose to look up to the right thing in our lives? And what do they look up to? Do they understand the power they have? Do we? Tommy is an experience in film, not for everyone. Its "out there" but a vision in its tale.
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