Rada, a beautiful and very proud gipsy girl is used to steal men's hearts and monk them. Zobar is a horse thief who's heart is stolen by Rada and his mind is bewitched. He is ready to give up his freedom but not his pride.
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Title: Queen of the Gypsies (1976)
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Edit
Cast
| Credited cast: | |||
| Grigore Grigoriu | ... | Loiko Zobar (as Grigori Grigoriu) | |
| Svetlana Toma | ... | Radda | |
 |
Barasbi Mulayev | ... | Makar Chudra (as B. Mulayev) |
|
|
Ion Sandri Scurea | ... | Siladi |
| Pavel Andreychenko | ... | Talimon | |
|
|
Sergiu Finiti | ... | Bubulia |
|
|
Lyalya Chyornaya | ... | Old Gypsy Woman |
| Borislav Brondukov | ... | Bucha | |
| Nelli Volshaninova | ... | Rusalina | |
| Vsevolod Gavrilov | ... | Danilo | |
|
|
Mikhail Shishkov | ... | Nur |
|
|
Nikolai Volshaninov | ... | Aralambi |
| Vasili Simchich | ... | Balint | |
|
|
Yelena Sadovskaya | ... | Yulishka |
| Rest of cast listed alphabetically: | |||
|
|
Zinajda Antonova | ||
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Plot Summary
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Storyline
This colourful, music-filled and sensual melodrama based on early stories by Maxim Gorky tells the fatal love story between the beautiful and rebellious girl Rada and the handsome horse thief Zobar. The story is set in early 20th century Bessarabia, now part of Moldova. Written by Markku Kuoppamäki
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Details
Country:
Soviet UnionLanguage:
RussianRelease Date:
April 1979 (USA) See more »Also Known As:
Queen of the Gypsies See more »Company Credits
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Technical Specs
Runtime:
Sound Mix:
70 mm 6-TrackColor:
Color (Sovcolor)Aspect Ratio:
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A poem about freedom and love. A strange world of joy, ambitions and desires. A form of escape and a colorful dream.
Emil Loteanu was a special director for the way chosen. His movies, products of Sovietic cinema, are, very often, touching skits of a raw cardboard's space. The stake- to prove the identity of a small nation in a empire. The means- Russian art of purlieus. Accent on the dramatic themes and emotions like only message.
"Tabor ukhodit v nebo" is only a picturesque film about a imaginary community. His importance is not small because the Gipsys are the product, in the self-image ,of this movie, slice of a possible golden age at the beginning of XXth century. In same time, it is a good introduction to Kusturica filmography, with the aspects of a ambiguous Balkan's life, with songs and carousals with barbarian persistent taste, with full of color atmosphere and any way of business.
So, a good film for Bovaric public, for the Kakania's nostalgics, for amateurs of subtle kitsch, for the fans of actors, for old Gipsys or dreamers. But, in fact,it is only a ethnographic foray in Maxim Gorki's pathetic universe. Eastern Europe- like a strange endless Gypsy's song.