The Stepford Wives is about a small suburb where the women happily go about their housework - cleaning, doing laundry, and cooking gourmet meals - to please their husbands. Unfortunately, Bobbie and Joanna discover that the village's wives have been replaced with robots, and Joanna's husband wants in on the action.Written by
Something strange is happening in the town of Stepford. Where the men spend their nights doing something secret. And every woman acts like every man's dream of the "perfect" wife. Where a young woman watches the dream become a nightmare. And sees the nightmare engulf her best friend. And realizes that any moment, any second - her turn is coming. See more »
When the casting process began, producer Edgar J. Scherick, who had secured the rights to Ira Levin's novel desiring to achieve "another Rosemary's Baby (1968)", suggested Mia Farrow for the role of Joanna. The idea was quickly dropped, and the actress, then living in England, was never approached. See more »
In the last scene in the supermarket "changed" Joanna does not have large breasts anymore, but the night she was "replacing" the original Joanna she had. See more »
The image of beautiful, not necessarily sexy, women parading through the aisles of a grocery story in picturesque, almost Victorian summer dresses and wide white broad brimmed hats is one of the most lasting of this effective thriller based on the work by Ira Levin. Katherine Ross engagingly plays a women being moved with family in tow from the hustle and bustle of New York City to the serene suburbs of old Connetticut. Ross soon discovers that life for the gentle sex is anything but normal. All the women of Stepford seem to be concerned with is housecleaning and pleasing their husbands. This is a good, high energy film that shocks more from looks and what you do not see rather than what you do see. Helping greatly is a solid acting cast working with a pliable script. Though shot with an almost static effect at times, The Stepford Wives packs a few good punches. The scene in the grocery store and the scene with the empty eyes are just two of the highlights for me. Patrick O' Neal, lovely Tina Louise, and the ever loquacious Paula Prentiss costar. At the heart of the film is human identity and the worth it has/should have. There are aspects of social commentary abounding: the relationship of men and women in marriage, the effects of Suburban living, and the dangers of technology.
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