6.9/10
13,847
151 user 65 critic

The Stepford Wives (1975)

Joanna Eberhart has come to the quaint little town of Stepford, Connecticut with her family, but soon discovers there lies a sinister truth in the all too perfect behavior of the female residents.

Director:

Bryan Forbes

Writers:

Ira Levin (novel), William Goldman (screenplay)

On Disc

at Amazon

1 win & 1 nomination. See more awards »

Photos

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Cast

Cast overview, first billed only:
Katharine Ross ... Joanna Eberhart
Paula Prentiss ... Bobbie Markowe
Peter Masterson ... Walter Eberhart
Nanette Newman ... Carol Van Sant
Tina Louise ... Charmaine Wimpiris
Carol Eve Rossen ... Dr. Fancher (as Carol Rossen)
William Prince ... Ike Mazzard
Carole Mallory ... Kit Sunderson
Toni Reid Toni Reid ... Marie Axhelm
Judith Baldwin ... Patricia Cornell
Barbara Rucker Barbara Rucker ... Mary Ann Stravros
George Coe ... Claude Axhelm
Franklin Cover ... Ed Wimpiris
Robert Fields Robert Fields ... Raymond Chandler
Michael Higgins ... Mr. Cornell
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Storyline

The Stepford Wives is about a small suburb where the women happily go about their housework - cleaning, doing laundry, and cooking gourmet meals - to please their husbands. Unfortunately, Bobbie and Joanna discover that the village's wives have been replaced with robots, and Joanna's husband wants in on the action. Written by Kevin <Kibble@vm.temple.edu>

Plot Summary | Plot Synopsis

Taglines:

Something strange is happening in the town of Stepford. Where the men spend their nights doing something secret. And every woman acts like every man's dream of the "perfect" wife. Where a young woman watches the dream become a nightmare. And sees the nightmare engulf her best friend. And realizes that any moment, any second - her turn is coming. See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

12 February 1975 (USA) See more »

Also Known As:

Die Frauen von Stepford See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (DVD) | (2001 DVD release)

Sound Mix:

Mono

Color:

Color (TVC)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

When the casting process began, producer Edgar J. Scherick, who had secured the rights to Ira Levin's novel desiring to achieve "another Rosemary's Baby (1968)", suggested Mia Farrow for the role of Joanna. The idea was quickly dropped, and the actress, then living in England, was never approached. See more »

Goofs

In the last scene in the supermarket "changed" Joanna does not have large breasts anymore, but the night she was "replacing" the original Joanna she had. See more »

Quotes

Kim Eberhart: Daddy, I just saw a man carrying a naked lady.
Walter Eberhart: Well, that's why we're moving to Stepford.
See more »

Connections

Referenced in How I Met Your Mother: Cupcake (2006) See more »

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User Reviews

 
Summer Dresses and Big Brimmed Hats
29 January 2005 | by BaronBl00dSee all my reviews

The image of beautiful, not necessarily sexy, women parading through the aisles of a grocery story in picturesque, almost Victorian summer dresses and wide white broad brimmed hats is one of the most lasting of this effective thriller based on the work by Ira Levin. Katherine Ross engagingly plays a women being moved with family in tow from the hustle and bustle of New York City to the serene suburbs of old Connetticut. Ross soon discovers that life for the gentle sex is anything but normal. All the women of Stepford seem to be concerned with is housecleaning and pleasing their husbands. This is a good, high energy film that shocks more from looks and what you do not see rather than what you do see. Helping greatly is a solid acting cast working with a pliable script. Though shot with an almost static effect at times, The Stepford Wives packs a few good punches. The scene in the grocery store and the scene with the empty eyes are just two of the highlights for me. Patrick O' Neal, lovely Tina Louise, and the ever loquacious Paula Prentiss costar. At the heart of the film is human identity and the worth it has/should have. There are aspects of social commentary abounding: the relationship of men and women in marriage, the effects of Suburban living, and the dangers of technology.


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