The Stepford Wives (1975)

Joanna Eberhart has come to the quaint little town of Stepford, Connecticut with her family, but soon discovers there lies a sinister truth in the all too perfect behavior of the female residents.

Director:

Bryan Forbes

Writers:

Ira Levin (novel), William Goldman (screenplay)

Stars:

Katharine Ross, Paula Prentiss, Peter Masterson

1 win & 1 nomination.

Cast

Cast overview, first billed only:
Katharine Ross	...	Joanna Eberhart
Paula Prentiss	...	Bobbie Markowe
Peter Masterson	...	Walter Eberhart
Nanette Newman	...	Carol Van Sant
Tina Louise	...	Charmaine Wimpiris
Carol Eve Rossen	...	Dr. Fancher (as Carol Rossen)
William Prince	...	Ike Mazzard
Carole Mallory	...	Kit Sunderson
Toni Reid	...	Marie Axhelm
Judith Baldwin	...	Patricia Cornell
Barbara Rucker	...	Mary Ann Stravros
George Coe	...	Claude Axhelm
Franklin Cover	...	Ed Wimpiris
Robert Fields	...	Raymond Chandler
Michael Higgins	...	Mr. Cornell

Storyline

The Stepford Wives is about a small suburb where the women happily go about their housework - cleaning, doing laundry, and cooking gourmet meals - to please their husbands. Unfortunately, Bobbie and Joanna discover that the village's wives have been replaced with robots, and Joanna's husband wants in on the action.

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Plot Keywords:

robot | female protagonist | women's liberation | social commentary | feminism | 

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Taglines:

A very modern suspense story from the author of Rosemary's Baby.

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Genres:

Horror | Mystery | Sci-Fi | Thriller

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Certificate:

PG

Details

Country:

USA

Language:

English

Release Date:

12 February 1975 (USA)

Also Known As:

Die Frauen von Stepford

Filming Locations:

325 West End Avenue, Manhattan, New York City, New York, USA

Box Office

Gross USA:

$8,720,000

Company Credits

Production Co:

Palomar Pictures (I), Fadsin Cinema Associates

Technical Specs

Runtime:

115 min 100 min (DVD) 110 min (2001 DVD release)

Sound Mix:

Mono

Color:

Color (TVC)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Brian De Palma was approached to direct in early 1974, due to the surprise success of Sisters (1972). However, negotiations fell through and he ended up filming the suspense melodrama Obsession (1976) instead.

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Goofs

When Joanna takes Fred out for a walk, Walter calls the members of the men's association to check out the layout of the master bedroom. Among those who come to the house are Ed Wimpiris and the Reverend. We cut to Joanna on her walk outside the men's association building where a local police officer warns her about walking around at night, and Joanna heads home. Moments after she departs the frame, a car pulls out of the driveway driven by Ed Wimpiris with the Reverend as a passenger. Ed is shown to be a stunned, sweaty mess and the Reverend suggests letting him drive the car instead as Ed is "In no fit shape", the implication being Ed had taken his wife Charmaine to be "changed" that evening. Unless Ed and the Reverend had Stepford doubles of their own running around or Joanna was in the habit of walking Fred for hours on end, this would indicate they were in two places at once that evening.

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Quotes

Joanna Eberhart: [Joanna responding to Claude's request for her to do his speech recording project] ... just like your wife. Bobby and I tried to involve her in one of our projects, but she had too much ironing. Maybe you could convince her. Kit Sundersen, too. If they could find the time for me... I could find it for you.
Claude Axhelm: Isn't this uh... kind of blackmail, Joanna?
Joanna Eberhart: It's what made this country great, Claude.

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Connections

References Invasion of the Body Snatchers (1956)

User Reviews

The Perfect Wife

She is a meticulous housekeeper, flawless cook, thrifty shopper, adoring mother, perfect wife, always well groomed, always ready to please. But not, of course, a career woman, particularly if her success makes her husband feel belittled. Even today, more than thirty years after Ira Levin's bestseller startled the reading public, we are likely to refer to such a woman as "a Stepford wife"--a creature who seems both perfect and perfectly shallow.

The 1974 film version follows the Levin novel quite closely. Joanna Eberhart is a beautiful young woman of the era in which the women's moment had come of age: intelligent, forthright, and meeting her husband on equal terms. Then she, her husband, and their children move from New York to the small town of Stepford, where she is dismayed to find that most of the neighboring women seem engaged in a competition to have the neatest house, the best-groomed children, the most satisfied husband. Joanna is relieved to find women like herself in newcomers Bobbie and Charmaine, but even so, it seems... odd. So odd that she begins to question her sanity.

The film works on several levels, not the least of which is the macabre sense of humor with which director Byran Forbes endows the film: it is often very funny in a disquieting sort of way, as when Joanna and Bobbie's efforts to start a women's group results in a gathering of perfectly manicured women exchanging recipes and comparing floor polishes, or when Joanna and Bobbie accidentally overhear a Stepford couple making love. But for all the wittiness involved, THE STEPFORD WIVES is rooted in the women's movement of the 1970s, an era in which "a woman's place" was hotly debated on a national level. Just what is "a woman's place?" And to what lengths might men go to keep their women in traditional roles? Unlike many similar films, THE STEPFORD WIVES has tremendous restraint--and moreover a truly exceptional cast. Katherine Ross' talents were never before or after so well used, and Paula Prentiss gives perhaps her single most memorable performance here as Joanna's friend Bobbie. The supporting cast is equally fine, most particularly so with Patrick O'Neal as the unnerving "Diz" and a nice turn by Tina Louise as Charmaine.

Ultimately, THE STEPFORD WIVES is something of a "one trick pony:" it works best on a first viewing, when you don't know what's coming, and on subsequent viewings the film tends to read as unnecessarily slow. Even so, it is an interesting little cultural artifact, an "almost classic" that is sure to give you pause the next time your better half announces he is joining a men's club. Recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer